Published: 2025
CONTENTS
WORLD CULTURE AND INTERNATIONAL RELATIONS
Modern strategies for the development of culture in Great Britain and Ukraine in the dimensions of international experience in the formation of state policy in the field of culture —
Olha Ovcharuk
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.8-17
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“I” and “We”: Reflections with Witold Gombrowicz. “Diary” by W. Gombrowicz (1953-1969). Part II —
Nataliia Shelkovaia
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.18-26
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Spectrum of light and space in Mieczysław Karłowicz’s musical form —
Katarzyna Szymańska-Stułka
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.27-40
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Davide Quayola: reformer of post-modern art —
Yuliia Sabadash, Stepan Yankovskyi (Jankowski)
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.41-49
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The mask phenomenon and the concept of “face” (mianzi / lian) as mediators of sociocultural communication in Chinese culture —
Liu Jianzhi
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.50-59
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Ideological critique of demonic images in anime of the XX–XXI centuries –
Illia Halushko
UKRAINIAN CULTURE
“Yellow and blue”: from local marking to a cult symbol —
Nadiia Babii
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.75-88
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Ukrainian documentary cinema during the Russian-Ukrainian war: strategies and perspectives
Violeta Demeshchenko
The Yiddish renaissance in Ukraine and its reflection in the Ukrainian poets’ early commemoration of the victims in Babyn Yar —
Lada Kolomiyets
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.99-112
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“Dual world” phenomenon and the theatrical fate of Yakub Havatovych’s interlude “Klymko and Stetsko” —
Ihor Matiushyn
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.113-123
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Polina Herchanivska
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.124-133
MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Restoration of monuments of cultural heritage in modern conditions: new challenges and existing problems —
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-28-2025-2.134-145
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The footstool of the Divine throne in Ukrainian art of the 17th–18th centuries: iconography, symbolism —
Svitlana Olianina
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Culture as production in the group of public goods —
Oleksandra Oliinyk
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Curatorial mode of project activity in contemporary cultural practices —
Tetiana Kryvosheia, Anna Hadetska
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Basic digital technologies affecting audiovisual art —
Oleksii Filipov
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SCIENTIFIC FORUMS
Away with Russian glasses – see the Ukrainian dream —
Nadiia (Nadia) Honcharenko
DOI:
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