Published: 2025 CONTENTS WORLD CULTURE AND INTERNATIONAL RELATIONS Modern strategies for the development of culture in Great Britain and Ukraine in the dimensions of international experience in the formation of state policy in the field of culture — Olha OvcharukDOI: https://doi.org/10.37627/2311-9489-28-2025-2.8-17PDF “I” and “We”: Reflections with Witold Gombrowicz. “Diary” by W. Gombrowicz (1953-1969). Part II…Continue reading Volume 28 No 2 (2025)

UDC 791.634:778.534.4](045) Oksana But «KROK» University of Economics and Law, Kyiv.ORCID ID 0000-0003-2402-9433 DOI: https://doi.org/10.37627/2311-9489-27-2025-1.158-170 Keywords: sound effects, Foley, sound design, recurrent noise, Foley artist, Foley editor, sound-visual imagery. Abstract. The article examines sound effects, recurrent noise, Foley (in post-production filmmaking), repetitive noises as leitmotifs (riff, pattern), their functional and synchronous involvement in the sound-noise…Continue reading Primary sound components as the basis of the imagery structure of the film

DOI: https://doi.org/10.37627/2311-9489-27-2025-1 Published: 2025 CONTENTS THEORY AND HISTORY OF CULTURE Features of rituals and customs of the Cossack era: cultural aspect 8 — 16Tetiana Haievska, Violeta DemeschenkoDOI: https://doi.org/10.37627/2311-9489-27-2025-1.8-16PDF The evolution of social posters: new challenges in the digital age 17 — 29Yurii SosnytskyiDOI: https://doi.org/10.37627/2311-9489-27-2025-1.17-29PDF The soap opera and its place in mass media culture (definition…Continue reading Volume 27 No 1 (2025)

Olha Zavialova Sumy State Pedagogical University named after A.S. Makarenko, Sumy.ORCID ID 0000-0002-9483-5871 Zhang Jinqiu Sumy State Pedagogical University named after A.S. Makarenko, Sumy.ORCID ID 0009-0004-8040-4781 DOI: https://doi.org/10.37627/2311-9489-26-2024-2.53-60 Keywords: trumpet, Baroque, Italian composers, instrumental art, Concerto for Trumpet with Orchestra, Concerto Grosso, structural features of the instrument, performance traditions. Abstract. The ways of formation of…Continue reading Baroque concert for trumpet with orchestra of Italian composers: ways of formation

DOI: https://doi.org/10.37627/2311-9489-26-2024-2 Published: 2024 CONTENTS THEORY AND HISTORY OF CULTURE Female images in Trypillian ornaments: the problem of semantics 8—25Yevhen PrychepiiDOI: https://doi.org/10.37627/2311-9489-26-2024-2.8-25PDF Baroque of Saint Sophia Cathedral as a representation of National Identity 26—40Ruslana DemchukDOI: https://doi.org/10.37627/2311-9489-26-2024-2.26-40PDF Peculiarities of understanding myth in the theories of intellectuals of the late 19th and early 20th centuries 41—52Oles DovhanykDOI:…Continue reading Volume 26 No 2 (2024)

DOI: https://doi.org/10.37627/2311-9489-25-2024-1 Published: CONTENTS THEORY AND HISTORY OF CULTURE The problem of definition and substantive evolution of the research subject of Ukrainian cultural research 8—15Pavlo HolotenkoDOI: https://doi.org/10.37627/2311-9489-25-2024-1.8-15PDF “Craft” as a factor of artistic creativity: interpretive searches of metamodernism 16—24Olena OnishchenkoDOI: https://doi.org/10.37627/2311-9489-25-2024-1.16-24PDF The artisanal turn as another search for the “lost time” (Proust) by Ukrainian intellectuals…Continue reading Volume 25 No 1 (2024)

DOI: https://doi.org/10.37627/2311-9489-24-2023-2 Published: 2023 CONTENTS THEORY AND HISTORY OF CULTURE Principles of social myth formation: advantages and dangers in the context of the Russian-Ukrainian war 2022 8—15Iryna KostiukDOI: https://doi.org/10.37627/2311-9489-24-2023-2.8-15PDF Documentary art and war: the limits of violence 16—26Nataliia BorodinaDOI: https://doi.org/10.37627/2311-9489-24-2023-2.16-26PDF Participatory culture or co-creation: rethinking the ways of culture production 27—35Inna HurovaDOI: https://doi.org/10.37627/2311-9489-24-2023-2.27-35PDF The convergence…Continue reading Volume 24 No 2 (2023)

DOI: https://doi.org/10.37627/2311-9489-23-2023-1 Published: 2023.04.04 CONTENTS THEORY AND HISTORY OF CULTURE Screen mirror: the fractured Reality of wartime 8—26Hanna ChmilDOI: https://doi.org/10.37627/2311-9489-23-2023-1.8-26PDF The “event-tragedy” of war in the figures of Badiwan’s reflections as a condition of philosophy 27—37Nadiia KorablovaDOI: https://doi.org/10.37627/2311-9489-23-2023-1.27-37PDF Around the moving image 38—44Vadym SkurativskyiDOI: https://doi.org/10.37627/2311-9489-23-2023-1.38-44PDF Species specificity of the art of the age of metamodernism:…Continue reading Volume 23 No 1 (2023)

DOI: https://doi.org/10.37627/2311-9489-22-2022-2 Published: 2022.07.15 CONTENTS THEORY AND HISTORY OF CULTURE Modern algorithms for interpreting the history of music: an epistemological discourse 8—16Olha Zavіalova, Mariya YarkoDOI: https://doi.org/10.37627/2311-9489-22-2022-2.8-16PDF Methods of ballet-master’s work in the historical aspect 17—37Yeva KovalenkoDOI: https://doi.org/10.37627/2311-9489-22-2022-2.17-37PDF “Episode — series — series products” as structural components of modern culture 38—45Tymofii KokhanDOI: https://doi.org/10.37627/2311-9489-22-2022-2.38-45PDF WORLD CULTURE AND…Continue reading Volume 22 No 2 (2022)

DOI: https://doi.org/10.37627/2311-9489-21-2022-1 Published: 2021.11.23 CONTENTS THEORY AND HISTORY OF CULTURE The experience of “existence” with the cinematographic screen: the identification context 8—15Hanna ChmilDOI: https://doi.org/10.37627/2311-9489-21-2022-1.8-15PDF Universalism and traditionalism in a post-globalist perspective: ways of dialogue 16—23Yevgeniia (Ievgeniia) BilchenkoDOI: https://doi.org/10.37627/2311-9489-21-2022-1.16-23PDF The dialogue of cultures: theoretical and practical features of cultural production 24—33Oleksandra OliinykDOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33PDF WORLD CULTURE AND…Continue reading Volume 21 No 1 (2022)