Volume 23 No 1 (2023)

DOI: https://doi.org/10.37627/2311-9489-23-2023-1 Published: 2023.04.04 CONTENTS THEORY AND HISTORY OF CULTURE Screen mirror: the fractured Reality of wartime 8—26Hanna ChmilDOI: https://doi.org/10.37627/2311-9489-23-2023-1.8-26PDF The “event-tragedy” of war in the figures of Badiwan’s reflections as a condition of philosophy 27—37Nadiia KorablovaDOI: https://doi.org/10.37627/2311-9489-23-2023-1.27-37PDF Around the moving image 38—44Vadym SkurativskyiDOI: https://doi.org/10.37627/2311-9489-23-2023-1.38-44PDF Species specificity of the art of the age of metamodernism:…Continue reading Volume 23 No 1 (2023)

Volume 22 No 2 (2022)

DOI: https://doi.org/10.37627/2311-9489-22-2022-2 Published: 2022.07.15 CONTENTS THEORY AND HISTORY OF CULTURE Modern algorithms for interpreting the history of music: an epistemological discourse 8—16Olha Zavіalova, Mariya YarkoDOI: https://doi.org/10.37627/2311-9489-22-2022-2.8-16PDF Methods of ballet-master’s work in the historical aspect 17—37Yeva KovalenkoDOI: https://doi.org/10.37627/2311-9489-22-2022-2.17-37PDF “Episode — series — series products” as structural components of modern culture 38—45Tymofii KokhanDOI: https://doi.org/10.37627/2311-9489-22-2022-2.38-45PDF WORLD CULTURE AND…Continue reading Volume 22 No 2 (2022)

Volume 21 No 1 (2022)

DOI: https://doi.org/10.37627/2311-9489-21-2022-1 Published: 2021.11.23 CONTENTS THEORY AND HISTORY OF CULTURE The experience of “existence” with the cinematographic screen: the identification context 8—15Hanna ChmilDOI: https://doi.org/10.37627/2311-9489-21-2022-1.8-15PDF Universalism and traditionalism in a post-globalist perspective: ways of dialogue 16—23Yevgeniia (Ievgeniia) BilchenkoDOI: https://doi.org/10.37627/2311-9489-21-2022-1.16-23PDF The dialogue of cultures: theoretical and practical features of cultural production 24—33Oleksandra OliinykDOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33PDF WORLD CULTURE AND…Continue reading Volume 21 No 1 (2022)