Published: 2026
CONTENTS
THEORY AND HISTORY OF CULTURE
The phenomenon of the creative personality in contemporary cultural studies discourse: a paradigm shift (Based on Sebastian Smee’s project “The Art of Rivalry”) —
Olena Onishchenko
DOI: 10.37627/2311-9489-29-2026-1.8-17
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Aesthetic paradigms of interactivity and immersion in digital audiovisual art of the metamodern era — Ihor Pecheranskyi
DOI: 10.37627/2311-9489-29-2026-1.18-29
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Viennese modernism: the problem of “language criticism“ — Yuri Sapelkin
DOI: 10.37627/2311-9489-29-2026-1.30-40
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WORLD CULTURE AND INTERNATIONAL RELATIONS
French cultural narratives in the oeuvre of Anton Ulrich of Brunswick — Maria Danchenko
DOI: 10.37627/2311-9489-29-2026-1.41-52
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The evolution of the carnation image in visual culture: from a sacred symbol to a socio-political sign — Iryna Kostiuk
DOI: 10.37627/2311-9489-29-2026-1.53-71
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UKRAINIAN CULTURE
Art during wartime: an attempt by a practicing artist to reflect on their work based on field research —
Oles Sanin
DOI: doi.org/10.37627/2311-9489-29-2026-1.72-84
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The phenomenology of Ukrainian heroes: the dead, the alive, and the unborn —
Artem Bohutskyi
DOI: 10.37627/2311-9489-29-2026-1.85-95
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Ukrainian documentary cinema of the Soviet period: banned films —
Violeta Demeshchenko
DOI: 10.37627/2311-9489-29-2026-1.96-104
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Structural method in the study of the semantics of Trypillia–Cucuteni ornaments —
Yevhen Prychepii
DOI: 10.37627/2311-9489-29-2026-1.105-123
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The verbal component in the semantics of the Ukrainian iconostasis: the formation of a tradition —
Svitlana Olianina
DOI: 10.37627/2311-9489-29-2026-1.124-138
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Directions of image creation in the design of an original space based on selected world and Ukrainian masterpieces — Serhii Tsarenko
DOI: 10.37627/2311-9489-29-2026-1.139-152
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Composition of Yuri Ilyenko’s films in the context of the Ukrainian school of cinematography —
Oleksii Pustomitenko
DOI: 10.37627/2311-9489-29-2026-1.153-161
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Cultural entrepreneurship as a conceptual model: rationale and definition —
Oleksandra Oliinyk
DOI: 10.37627/2311-9489-29-2026-1.162-171
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Towards the cultural rights: from discourse to practice – international experience —
Oleksandr Butsenko
DOI: 10.37627/2311-9489-29-2026-1.172-182
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The sonic image in contemporary musical art —
Nadiia Bondarets, Oleksii Nosenko
DOI: 10.37627/2311-9489-29-2026-1.183-192
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Poems and fables as tools for developing and expanding acting range: stepping together from the serious to the comic and vice versa —
Tetiana Hrinik
DOI: 10.37627/2311-9489-29-2026-1.193-200
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SCIENTIFIC FORUMS