Volume 21 No 1 (2022)

DOI: https://doi.org/10.37627/2311-9489-21-2022-1

Published: 2022

CONTENTS

THEORY AND HISTORY OF CULTURE

The experience of “existence” with the cinematographic screen: the identification context 8—15
Hanna Chmil
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.8-15
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Universalism and traditionalism in a post-globalist perspective: ways of dialogue 16—23
Yevgeniia (Ievgeniia) Bilchenko
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.16-23
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The dialogue of cultures: theoretical and practical features of cultural production 24—33
Oleksandra Oliinyk
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS

The potential of aesthetic and artistic search: the cultural model of Michel Welbeck 34—41
Olena Onishchenko
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.34-41
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Traditions and current state of the “police” series: the Italian experience 42—50
Tymofii Kokhan
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.42-50
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Ida and the Cold War as (neo)modern movies 51—68
Slawomir Platek
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.51-68
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Outlines of theoretical and practical parity in the legacy of Joseph Addison 69—77
Maryna Ternova
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.69-77
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UKRAINIAN CULTURE

Reproduction and communication of the text in current practices of urban spaces of the XXI century 78—92
Nadiia Babii
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.78-92
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Creativity of O. Gerdan-Zaklynska within the development of Ukrainian and world choreographic culture 93—101
Lesia Turchak
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.93-101
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The originality of national identity in the creativity of the Dniprova Chaika (from past to present) 102—112
Iryna Rudnyk
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.102-112
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE

Evolution of the artist’s profession as an important factor in the art market development (from Antiquity to the Renaissance) 113—127
Nadiia Pavlichenko
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.113-127
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Memorial buildings of Ternopil region (origins and formation of design in the XIX — first third of the XX century) 128—137
Roman Odrekhivskyi
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.128-137
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Genesis of criteria and principles for safeguarding of the intangible cultural heritage by analyzing international documents 138—147
Valentyna Demian
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.138-147
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES

The cognitive strategies for research of the everyday cultural practices in conditions of the COVID-19 pandemic 148—158
Valentyna Sudakova
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.148-158
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Development of the adventure genre in Ukrainian cinema in the second half of the twenties of the twentieth century 159—167
Oleksandr Bezruchko, Volodymyr Myslavskyi
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.159-167
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Methodical support of domestic art and educational space: experience of training doctors of art 168—178
Oleksii Bezghin, Olha Uspenska
DOI: https://doi.org/10.37627/2311-9489-21-2022-1.168-178
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