DOI: https://doi.org/10.37627/2311-9489-22-2022-2
Published: 2022.07.15
CONTENTS
THEORY AND HISTORY OF CULTURE
Modern algorithms for interpreting the history of music: an epistemological discourse 8—16
Olha Zavіalova, Mariya Yarko
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.8-16
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Methods of ballet-master’s work in the historical aspect 17—37
Yeva Kovalenko
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.17-37
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“Episode — series — series products” as structural components of modern culture 38—45
Tymofii Kokhan
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.38-45
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS
Creativity of female artists in Italian fine arts of XV–XVII centuries 46—62
Halyna Stakhevych, Natalia Kokhan
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.46-62
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Functional role of the cello in Handel’s solo cantatas 63—71
Tetyana Grechanivska
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.63-71
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«Nikolai Leskov’s Kyiv Text» 72—80
Ani Abrahamyan
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.72-80
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The tragedy of otherness. Reflection on Lars von Trier’s film “Nymphomaniac” 81—91
Mikhail N. Epstein, Natalya Shelkovaya
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.81-91
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UKRAINIAN CULTURE
Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries 92—101
Olena Berehova
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.92-101
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The archetype of the trickster and its embodiment in the artistic images of Goat and Malanka (on the example of the oratorio of Hanna Havrylets «Barbivska Kolyada») 102—111
Mariia Turchyna
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.102-111
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Fair image of Ukraine against the background of war: extra-graffiti`s implementation 112—130
Olena Chervoniuk
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.112-130
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Four- and eight-membered structures with a rhombus in the center in the geometric ornaments of Podillya embroidery 131—147
Yevhen Prychepii
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.131-147
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Regional features of protection of cultural heritage objects in the conditions of new challenges of modernity 148—157
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.148-157
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Cultural Labor as the core subject for cultural policy 158—167
Oleksandra Oliinyk
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.158-167
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Recreational component of the leisure industry in the phenomena of mass culture of modern Ukraine 168—177
Nina Didenko
DOI: https://doi.org/10.37627/2311-9489-22-2022-2.168-177
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