DOI: https://doi.org/10.37627/2311-9489-15-2019-1
Published: 2019.06.20
CONTENTS
THEORY AND HISTORY OF CULTURE
The Transcultural Projections of the Strategies of Global Integration of the Contemporary Multicultural Societies 12—28
Valentyna Sudakova
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.12-28
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Mythology and Heuristics in the Theory of Interpretation 29—40
Ihor Yudkin
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.29-40
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The Semantics of Sets of Signs on Paleolithic Artifact from Plugatel (France, Brittany) 41—50
Yevhen Prychepii
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.41-50
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Diversification of Views of the Old Intelligentsia During the Ukrainian Revolution of 1917–1921 51—65
Vasyl Sheiko
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.51-65
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Models of Cultural Space and the Issue of Identities of Its Elements 66—82
Oleksandr Grytsenko
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.66-82
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The Emergence of the Symbol of the Meander as a Manifestation of the Religious Vision of the World by the Palaeolithic Man 83—89
Yaroslava Bondarchuk
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.83-89
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS
“East”—“West”: Interaction of Theatre Cultures 90—96
Violeta Demeshchenko
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.90-96
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Modern Holidays — Mechanisms and Conditions for Rooting of “New — Old” Holidays: Commercialization of the Holiday 97—104
Tetiana Haievska
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.97-104
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Formation of Creative and Professional Dialogue of the Avant-gardists of the World: Interpretational Model by Bengt Jangfeldt 105—112
Svitlana Kholodynska
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.105-112
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UKRAINIAN CULTURE
Cultural Processes of “Time of Perestroika and Glasnost” 113—125
Serhii Bezklubenko
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.113-125
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Traditional Ukrainian Children Subculture of Kodyma Land in the Space of the Ethno Festival 126—135
Yaroslava Levchuk
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.126-135
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European Year of Cultural Heritage in Ukraine: Culturological Analysis of Tendencies 136—143
Alla Doroha
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.136-143
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Development of Choreographic Language of the Ukrainian Ballet Performance in the First Half of the XXth Century 144—151
Larysa Markevych
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.144-151
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Sіghts of Hіstоrісаl and Culturаl Herіtаge of the Lvіv Regіоn as a Fасtоr of the Develоpment of Tоurіsm іn the Regіоn (on the Exаmple of Vіrtuаl Tоurs) 152—160
Halyna Vyshnevskа, Innа Krupа
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.152-160
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Cultural Heritage of Soviet Era in Contemporary Ukraine’s Public Space: Discussions about Its Historic and Artistic Value 161—168
Nadiia Honcharenko
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.161-168
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Dependence on the Screen in the Life-creation of a Modern Person 169—176
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.169-176
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The Use of Decorative Art Elements in the Works of Ukrainian Designers 177—184
Alla Osadcha, Olesia Pilhuk, Valentyna Bystriakova
DOI: https://doi.org/10.37627/2311-9489-15-2019-1.177-184
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