DOI: https://doi.org/10.37627/2311-9489-23-2023-1
Published: 2023.04.04
CONTENTS
THEORY AND HISTORY OF CULTURE
Screen mirror: the fractured Reality of wartime 8—26
Hanna Chmil
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.8-26
PDF
The “event-tragedy” of war in the figures of Badiwan’s reflections as a condition of philosophy 27—37
Nadiia Korablova
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.27-37
PDF
Around the moving image 38—44
Vadym Skurativskyi
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.38-44
PDF
Species specificity of the art of the age of metamodernism: features of transformational processes 45—54
Olena Onishchenko
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.45-54
PDF
Peculiarities of genre formation in 21st century cinematography 55—67
Violeta Demeschenko
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.55-67
PDF
Structural elements of an artistic work: creative and research innovations by R. J. Collingwood 68—76
Maryna Ternova
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.68-76
PDF
WORLD CULTURE AND ІNTERNATIONAL RELATIONS
Interpretation of cultural and artistic traditions in TV series of the Scandinavian region 77—84
Tymofii Kokhan
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.77-84
PDF
Chopin in the writings and music of 20th-century Polish composers 85—94
Beata Bolesławska (Bolesławska-Lewandowska)
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.85-94
PDF
Twentieth-сentury modern art: evolution and main trends 95—100
Mikhail Sergeev
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.95-100
PDF
The King and Commoner tradition within English Medieval and Early Modern literature 101—119
George Lovell
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.101-119
PDF
The influence of the ethical principles of the philosophy of Confucius on Chinese cinema 120—128
Jie Chang
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.120-128
PDF
UKRAINIAN CULTURE
Peculiarities of acting education in the domestic artistic and educational process 129—142
Oleksii Bezghin, Olga Uspenska
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.129-142
PDF
Transformation of Western Ukrainian street art in the context of production communication strategy 143—156
Nadiia Babii
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.143-156
PDF
Ukraine’s European integration strategy in the “clash of civilizations” discourse by S. Huntington 157—167
Zlata Sapelkina, Yuriy Sapelkin
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.157-167
PDF
MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Protection of immovable objects of cultural heritage under aggressive war conditions: theoretical and practical aspects 168—177
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.168-177
PDF
Evolution of the concept of “cultural heritage”: theoretical and methodological aspect 178—187
Taras Gorbul
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.178-187
PDF