DOI: https://doi.org/10.37627/2311-9489-14-2018-2
Published: 2018.11.22
CONTENTS
THEORY AND HISTORY OF CULTURE
Postmodern Personality: Ontological Self-dependance 7—18
Hanna Chmil, Nadiia Korablova
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.7-18
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Intention, Idioms, Myth: Towards the Morphology of Drama 19—29
Ihor Yudkin
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.19-29
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On the So-called Institutional and Self-organizing Principles of Cultural Development 30—43
Serhii Bezklubenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.30-43
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Mythic Plots: the Experience of the Movie Interpretation 44—51
Tymofii Kokhan
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.44-51
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Actor Imaging as Constituent Creative Transformation Process 52—59
Olena Khlystun
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.52-59
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National Self-consciousness in the Context of Multicultural Practices in Ukraine 60—67
Tetiana Yereskova
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.60-67
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS
Oriental Motives in the Aesthetics of the New Theater of Gordon Craig 68—78
Violeta Demeshchenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.68-78
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Homo Manifestans or Artistic Interpretation of Social Upheavals at the Beginning of the XXIst Century 79—86
Oleksandr Butsenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.79-86
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Reality Show: Inside the Picture 87—93
Olha Hrabarchuk
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.87-93
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The Contemporary Circus Art of Ukraine in the Context of International Cultural and arts Cooperation 94—101
Yuliia Shapovalova
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.94-101
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UKRAINIAN CULTURE
Іnstrumental Theater in the Modern Ukrainian Composers’ Creativity 102—108
Olena Berehova
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.102-108
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Notized Collections of the Ukrainian Orthodox Church (XI–XIV Century) 109—116
Mykola Рidhorbunskyi
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.109-116
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Activity of Public Organization as a Phenomenon of Ukrainian Cultural Heritage 117—122
Alla Doroha
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.117-122
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The Culture of Wine in Ukrainian Baroque Poetry 123—130
Nataliia Naumenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.123-130
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European Experience of the Use of Grant Competitions as a Means of Supporting Culture from the Perspective of Institutional Reforms in Ukraine’s Cultural Sector 131—139
Nadiia Honcharenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.131-139
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Personalized History of Futurism: the Experience of Reconstruction the Mikhail Semenko’s Literary Milieu 140—147
Svitlana Kholodynska
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.140-147
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
“Decommunization Laws”, Their Practical Implementation, and Heritage Protection: Legal, Aesthetic and Ideological Controversies 148—160
Oleksandr Grytsenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.148-160
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Intangible Cultural Heritage as Space for Multidisciplinary Interaction. International Review 161—169
Valentyna Demian
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.161-169
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Activity of Higher Education art Inctitutions in the Contemporary Socio-cultural Realities 170—177
Oleksii Bezghin
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.170-177
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Art in the Space of the Internet World Network: Practical Aspects 178—183
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.178-183
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Copyright in the Contemporary Circus Art 184—191
Oleh Pospielov
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.184-191
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Game TV Series as a Specific Form of Public Communication 192—198
Andrii Mazepa
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.192-198
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Problems of Definition and Classification of Sonic Image in the Audio-visual Culture 199—204
Serafym Zheliezniak
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.199-204
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Existential Features of Variety Numbers With a Puppet 205—215
Ruslan Neupokoiev
DOI: https://doi.org/10.37627/2311-9489-14-2018-2.205-215
PDF (Ukrainian)