Volume 20 No 2 (2021)

DOI: https://doi.org/10.37627/2311-9489-20-2021-2

Published: 2021

CONTENTS

THEORY AND HISTORY OF CULTURE

Globalization processes and formation of cultural space: historiographical aspect 8—21
Vasyl Sheiko
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.8-21
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The objective contents of an artistic text: from phenomenology towards mereology 22—34
Ihor Yudkin-Ripun
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.22-34
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Semantical dimension of an artwork: culturological approach 35—43
Iryna Piatnytska-Pozdnyakova
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.35-43
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Socio-philosophical context of the history of the cultural and anthropological paradigm 44—56
Violeta Demeshchenko
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.44-56
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS

Cultural phenomenon of the rhizome concept 57—66
Ruslan Neupokoiev
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.57-66
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Creativity of Martin Margiela and designers of the Antwerp Six in the context of deconstructivism of the late XXth — early XXIst centuries 67—77
Khrystyna Shevchuk
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.67-77
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UKRAINIAN CULTURE

Ukrainian piano competitions in the space of global intercultural dialogue 78—89
Olena Berehova
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.78-89
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The art of the “naughty” at a turning point (late 1980s — early 1990s) 90—98
Olga Petrova
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.90-98
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Vocal instrumentality as the ethno-cultural feature of V. Martyniuk’s composer style (the case of compositions for wind instruments) 99—106
Valerii Hromchenko
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.99-106
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The latest approaches to piano interpretation in chamber and ensemble creativity of V. Silvestrov (the case of the “Drama” cycle for violin, cello and piano) 107—114
Ievgeniia Golovan
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.107-114
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE

Sets of signs denoting the year on a Paleolithic artifact from the Baikal region and a towel from Podillya 115—126
Yevhen Prychepii
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.115-126
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Sacred art as the highest manifestation of a person’s spiritual worldview 127—142
Natalya Shelkovaya
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.127-142
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES

Organizational and economic processes of Ukrainian film production in the 1920’s 143—152
Volodymyr Myslavskyi
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.143-152
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The philosophy of silence in the context of a stage action 153—162
Valerii Patsunov
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.153-162
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Sumy region wind music festivals from the standpoint of cultural and artistic traditions of the region 163—170
Yuriy Pakhomov
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.163-170
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Interaction of sound and image in modern audiovisual culture 171—178
Serafym Zheliezniak
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.171-178
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Five preludes of Mykola Roslavets in the reflection of academic and avant-garde trends of his time 179—187
Pavlo Minhalov
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.179-187
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