UDC 78.071.1
Valerii Hromchenko
Dnipropetrovsk M. Glinka Academy of Music, Dnipro.
DOI: https://doi.org/10.37627/2311-9489-20-2021-2.99-106
Keywords: vocal, instrumentality, solo singing, composition, wind instruments, solo, V. Martyniuk.
Abstract. The article discloses the instrumental language nature of Dnipro composer Valentina Martyniuk from the perspective of the ethno-cultural features for master’s author style. The investigation is being carried out on the basis of compositions for wind instruments, namely “Interview on a given topic” for clarinet solo, Vocalize for flute and piano, as well as Melody for horn (or flute) and piano. The investigation has established the defining foundation of the vocal of the composer’s instrumental language to be the phenomenon of folk singing style of artistic instrumental creations. This phenomenon is born on the productive basis of national genre, namely Ukrainian solo singing. V. Martyniuk realizes artistic creative potential in the singing expressive melody, improvisation, priority of solo representation of musical compositions, the composer removes the assignment of a certain instrument for a specific musical composition, creates the priority for secondo-third interval connections. The author of the article affirms the contemporary conception of Ukrainian instrumental solo singing in the academic instrumental music.
Author Biography.
Valerii Hromchenko, Doctor of Arts, professor, Vice Rector for Research, Dnipropetrovsk M. Glinka Academy of Music, Dnipro.
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Published: May 14, 2021.
Section: UKRAINIAN CULTURE.