DOI: https://doi.org/10.37627/2311-9489-27-2025-1
Published: 2025
CONTENTS
THEORY AND HISTORY OF CULTURE
Features of rituals and customs of the Cossack era: cultural aspect 8 — 16
Tetiana Haievska, Violeta Demeschenko
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.8-16
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The evolution of social posters: new challenges in the digital age 17 — 29
Yurii Sosnytskyi
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.17-29
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The soap opera and its place in mass media culture (definition of the value message) 30 — 38
Karol Orban
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.30-38
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WORLD CULTURE AND INTERNATIONAL RELATIONS
“I” and “We”: Reflections with Witold Gombrowicz. “Diary” by W. Gombrowicz (1953–1969). Part I 39 — 51
Nataliia Shelkovaia
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.39-51
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Enthusiasm. A Conversation with Dziga Vertov and Vasily Grossman 52 — 59
Chris Baldwin
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.52-59
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UKRAINIAN CULTURE
On the question of cinematograph as a “soft power” in the context of the Russian — Ukrainian war 60 — 69
Oles Sanin
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.60-69
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The unspeakable in cinema. The art of representing trauma and its impact on audience perception 70 — 87
Alla Demura
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.70-87
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Activities of the Kyiv ten-year Music School named by M. Lysenko of the 1950s and 1960s in the context of the development of Ukrainian piano art 88 — 102
Yurii Zubai
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.88-102
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The significance of the creative activity of the choreographer and teacher Alla Rubina 103 — 118
Yeva Kovalenko
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.103-118
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Ukrainian alternative electronic scene: organization, management, and international integration 119 — 126
Oles Zazulin
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.119-126
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The features of Ukrainian film dramaturgy of the early 21st century 127 — 135
Oles Yanchuk
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.127-135
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Things that allure, or semiotic indeterminacy of the design component in visual images 136 — 145
Vadym Shynkarov
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.136-145
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Kharkiv kotses of the 19th — early 20th centuries: study of sample using the case study method 146 — 157
Olena Pavliuk
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.146-157
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Primary sound components as the basis of the imagery structure of the film 158 — 170
Oksana But
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.158-170
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Representation of the blockbuster as the main audiovisual work of contemporary mass culture 171 — 185
Borys Liepshov
DOI: https://doi.org/10.37627/2311-9489-27-2025-1.171-185
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