Volume 18 No 2 (2020)

DOI: https://doi.org/10.37627/2311-9489-18-2020-2

Published: 2020.08.10

CONTENTS

THEORY AND HISTORY OF CULTURE

Heuristics and Eidetic in the Phenomenology of Culture 8—22
Ihor Yudkin
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.8-22
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Conventional Resources and Postmodern Transformations of the Cultural Practices of Communication and Etiquette 23—36
Valentyna Sudakova
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.23-36
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Еurope as an Object of Desire: Ukraine between “Psychological Europe” and the “Soviet Mentality” 37—54
Valeria Korablyova
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.37-54
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Structure of the Modern Culturology: Semiotic Triad 55—65
Yevheniia Bilchenko, Tetyana Kalyta
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.55-65
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS

Beethoven — the Zeus of Modernity 66—84
Helmut Loos
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.66-84
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Methodological Approach to the Analysis of the Accordion Art of Serbia 85—92
Katarina Nisic
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.85-92
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UKRAINIAN CULTURE

Goddess-Cosmos of Proto-Myth in Ornaments of Folk Embroidery of Bukovina (the Case of the E. Kolbenhier’s Collection) 93—108
Yevhen Prychepii
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.93-108
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From Theater to Cinematography: Creative Search of Les Kurbas 109—119
Violeta Demeshchenko
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.109-119
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Cultural and Art Magazines in Western Ukraine from the Underground to Alternative Press 120—131
Nadiia Babii
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.120-131
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE

Antinomic Comprehension of God in Unity of Transcendent and Immanent Principles in the Leading Religious-Philosophical Systems and Art of the Second Half of the І Millennium ВС — the Beginning of a New Era 132—146
Yaroslava Bondarchuk
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.132-146
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES

Florentian Principles for Preparing a Doctor of Arts 147—155
Oleksii Bezghin
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.147-155
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Commodification as the Means of Cultural Production 156—164
Oleksandra Oliinyk
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.156-164
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Features and Functions of the Public Holiday 165—176
Tetiana Haievska
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.165-176
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Genealogy of Stories: Constraction of the Subject by Vanishing Images 177—184
Mariia Ternovska
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.177-184
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SCIENTIFIC FORUMS

The System of Sacred Images of Ukrainian Culture. Svitlana Olianina. Ukrainian Iconostasis: Symbolic and Iconology. Kyiv: Artek 5, 2019. 400 p. 185—187
Ihor Yudkin
DOI: https://doi.org/10.37627/2311-9489-18-2020-2.185-187
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