Published: 2016.09.15
CONTENTS
THEORY AND HISTORY OF CULTURE
Body Landscape in Contemporary Cultural Field 7—12
Hanna Chmil
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Integrity/Unity of the National Cultural Space: Specific Characteristic or Desired Goal? 13—24
Oleksandr Grytsenko
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Signs of the Zodiac in Archaic Symbols, Mythology and Ornaments of Folk Towels 25—36
Yevhen Prychepii
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Institutional Basis of Culture Creation and Art, and Institutional Approach to the Research of Culture 37—44
Oleksandra Oliinyk
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Culture and Civilisation: Analysis of Sources and Literature 45—51
Vasyl Sheiko
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Culturological Conception of Mykhailo Semenko 52—60
Larysa Naumova
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Cultural and Philosophic Analysis of the Phenomenon of Feeling in the context of the “Philosophy of Life” 61—67
Alla Doroha
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Folklorism as the Phenomenon of Artistic Culture 68—75
Svitlana Sadovenko
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Axiological Potential of Light and Dark in the Significative Field of the Old Testament 76—81
Maryna Chumachenko
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Conceptual prospects of the comparative analysis of multicultural practices 82—86
Valentyna Sudakova, Volodymyr Sudakov
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Piano Performance: from Performers to Executors 87—90
Samir Mirzoiev
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The mentality both figurative and artistic reflection of reality 91—96
Zinaida Boiko
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WORLD CULTURE AND ІNTERNATIONAL RELATIONS
Lviv-Warsaw Philosophic School and Semiotic of Ukrainian and Polish Avant-garde 97—105
Volodymyr Lychkovakh
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The Taras Shevchenko’s image and poems in the interpretations by Chinese contemporary artists 106—111
Tetiana Chuiko
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Hollywood Сinematograph In the Processes of globalization and Universalization 112—118
Olha Babak
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Erich Korngold’s name in recollections of the contemporaries and in scientific works: regarding the problem of the talent’s nature 119—124
Lidiia Liashenko
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UKRAINIAN CULTURE
The Coats of Arms of Donors in the Iconographic Programme of the Ukrainian Iconostasis: Symbolic Conception 125—134
Svitlana Olianina
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Conceptual and methodological principles of artistic-teacher’s activity of M. Verhatskyi in the 50s of the XX c 135—140
Oleksandr Bezruchko
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Conceptual display of world view aesthetics of Post-Modern musical culture: bassoon composition sketches of V. Runchak 141—149
Nataliia Morshchakova
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Interpretation of three last verses of Taras Shevchenko as method of exposure of analogical paradigm of the poet 150—155
Oksana Yakovyna
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Associative Thinking as a Tool of Cognitive Development in the System of Traditional Children’s Subculture: Formulation of the Problem 156—161
Yaroslava Levchuk
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From the Pleiad of Lumenaries (to the 150th Anniversary of L. P. Linytskaʼs Birthday) 162—169
Lesia Ovchiieva
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Prehistory of Museology: Historical and Culturogical Aspects 170—176
Dmytro Kepin
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Ancient Kyiv icons of Mykola Mokryi (Wet) and Mykola Pustynskyi (Solitude): search of the lost rarities 177—188
Hryhorii Poliushko
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Review of urban space, sights and local historical memory of the town of Kaniv 189—194
Hanna Andres
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Specific of activity of children’s museum as an educational establishment 195—200
Yuliia Kliuchko
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Historical and architectural inheritance as a constituent of tourist attractiveness of the city (on the example of Lviv) 201—206
Inna Krupa
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Social conventions as semantic determinants of the process of cultural self-organization 207—214
Valentyna Sudakova
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Ukrainian Culture and the World: Organizational Problems of Artistic Culture in Modern Society 215—221
Oleksii Bezghin
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Ecological social advertisement in the structure of media space 222—229
Svitlana Pryshchenko
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A role of communicative space of social networks in forming of modern listenership 230—234
Volodymyr Krynytskyi
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Ukrainian Festival as a Means of Promotion of the Country Positive Image 235—242
Halyna Vyshnevska
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SCIENTIFIC FORUMS
Interpretation of realization of the text of culture (the results of the All-Ukrainian theoretical conference “Interpretation as a tool of culturological discourse”, Kyiv, 2-3 June, 2016) 243—247
Inna Kuznietsova
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