DOI: https://doi.org/10.37627/2311-9489-26-2024-2
Published: 2024
CONTENTS
THEORY AND HISTORY OF CULTURE
Female images in Trypillian ornaments: the problem of semantics 8—25
Yevhen Prychepii
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.8-25
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Baroque of Saint Sophia Cathedral as a representation of National Identity 26—40
Ruslana Demchuk
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.26-40
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Peculiarities of understanding myth in the theories of intellectuals of the late 19th and early 20th centuries 41—52
Oles Dovhanyk
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.41-52
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WORLD CULTURE AND INTERNATIONAL RELATIONS
Baroque concert for trumpet with orchestra of Italian composers: ways of formation 53—60
Olha Zavialova, Zhang Jinqiu
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.53-60
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Publicisticity as a marker of modern artistic sphere (Ukrainian experience and world context) 61—70
Mariia Kushnarova
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.61-70
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Ukrainian jazz projects of the early 21st century in global integration processes 71—80
Oleksii Bogoliubov
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.71-80
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UKRAINIAN CULTURE
Musical Shevchenkiana in the period of the Russo-Ukrainian War as a component of national resilience 81—95
Olena Berehova
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.81-95
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From a Private School to a State Lyceum: Reconstruction of the Stages of Institutionalization of the Mykola Lysenko Kyiv State Music Lyceum (on the occasion of the 90th anniversary of its foundation). Part One 96—107
Serhii Volkov
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.96-107
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National motives and symbols in the work of the ceramic artist Petr Pechorny 108—124
Yuliia Poltavska
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.108-124
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MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE
Theoretical and practical aspects of public-private partnership in the field of protection of cultural heritage of Ukraine in modern period 125—136
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.125-136
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Transformation of perceptions of cultural heritage and dilemmas of choice between its preservation and elimination 137—150
Nadiia Honcharenko
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.137-150
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
The interaction of art and science in understanding the laws of the universe: an analysis of the film «Tenet» by Christopher Nolan 151—161
Oleksandr Bezruchko, Olena Fedorova
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.151-161
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Individual timbre of the pianist in the context of the expressive capabilities of the piano 162—171
Anatolii Harets
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.162-171
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Cultural infrastructure: cultural services, cultural rights and public good 172—179
Oleksandra Oliinyk
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.172-179
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Mediocrity: a new type of personality cult 180—188
Tina Mosiakina
DOI: https://doi.org/10.37627/2311-9489-26-2024-2.180-188
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