DOI: https://doi.org/10.37627/2311-9489-24-2023-2
Published: 2023
CONTENTS
THEORY AND HISTORY OF CULTURE
Principles of social myth formation: advantages and dangers in the context of the Russian-Ukrainian war 2022 8—15
Iryna Kostiuk
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.8-15
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Documentary art and war: the limits of violence 16—26
Nataliia Borodina
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.16-26
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Participatory culture or co-creation: rethinking the ways of culture production 27—35
Inna Hurova
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.27-35
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The convergence of technologies and creative decisions during making visual image in the film industry: analysis of ecosystem connections 36—45
Igor Pecheranskyi
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.36-45
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WORLD CULTURE AND INTERNATIONAL RELATIONS
Ethnomusicology as the Ukrainian-Polish invention and common proceedings in study on ethnic musical cultures 46—54
Piotr Dahlig
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.46-54
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Kyiv as an inspiration for the work of Karol Szymanowski 55—62
Katarzyna Szymańska-Stułka
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.55-62
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The Ukrainian-Polish Cultural Dialogue of the 1960s in the Discourse of Postcolonial Studies (based on the Archives of the Polish Composers’ Union) 63—90
Olena Berehova
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.63-90
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UKRAINIAN CULTURE
The goddess of Moon in archaic symbolism and folk ornaments (about symmetrical seven- and three-membered structures) 91—116
Yevhen Prychepii
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.91-116
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The Hlukhiv Children’s School of Arts as a component of the formation of professional music education in the Sumy Region in the Twentieth Century 117—124
Anna Myronenko
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.117-124
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Educational and creative training at the third level of higher education: methodological principles of program design 125—133
Oleksii Bezghin, Olga Uspenska
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.125-133
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
Cultural practices as a form of active cultural consumption 134—142
Oleksandra Oliinyk
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.134-142
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Acting creativity in audiovisual art as a type of artistic and aesthetic activity 143—152
Nataliia Lychkovska
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.143-152
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Formation of individuality of a jazz performer: theoretical and practical aspects 153—159
Danylo Vinarikov
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.153-159
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Working with mise-en-scène and frame composition in the process of creating an artistic image 160—169
Iryna Pravylo
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.160-169
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The relevance of study of visual identification of the Olympic ceremonial costume of the national team of Ukraine: the question of cultural expansion 170—178
Tetiana Mykhailova
DOI: https://doi.org/10.37627/2311-9489-24-2023-2.170-178
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