DOI: https://doi.org/10.37627/2311-9489-24-2023-2 Published: 2023 CONTENTS THEORY AND HISTORY OF CULTURE Principles of social myth formation: advantages and dangers in the context of the Russian-Ukrainian war 2022 8—15Iryna KostiukDOI: https://doi.org/10.37627/2311-9489-24-2023-2.8-15PDF Documentary art and war: the limits of violence 16—26Nataliia BorodinaDOI: https://doi.org/10.37627/2311-9489-24-2023-2.16-26PDF Participatory culture or co-creation: rethinking the ways of culture production 27—35Inna HurovaDOI: https://doi.org/10.37627/2311-9489-24-2023-2.27-35PDF The convergence…Continue reading Volume 24 No 2 (2023)

UDC 821(4).09:398.22.001 Iryna Kostiuk Lviv National Academy of Arts, Lviv.ORCID ID 0000-0003-1779-7522 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.8-15 Keywords: social myth, totalitarian society, manipulation of consciousness, information society, mythological hero. Abstract. The purpose of the research is to formulate the main advantages of living and relaying social myths, as well as to determine the main dangers of such living,…Continue reading Principles of social myth formation: advantages and dangers in the context of the Russian-Ukrainian war 2022

UDC 7.091: 177 Nataliia Borodina Odesa Polytechnic National University, Odesa.ORCID ID 0000-0001-7502-518X DOI: https://doi.org/10.37627/2311-9489-24-2023-2.16-26 Keywords: documentary art, photography, atrocity, war, violence. Abstract. This research analyses a limit to violence that should be recorded by documentary art dedicated to war crimes. Many analytics suspect that violence in art could be dangerous and seen as an affirmation…Continue reading Documentary art and war: the limits of violence

UDC 130.2:008 Inna Hurova Mykhailo Drahomanov Ukrainian State University, Kyiv.ORCID ID 0000-0002-9709-7405 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.27-35 Keywords: participatory culture, co-creation, street art, crowdsourcing, participatory art, interactive theater, immersive theater, collective meaning-making. Abstract. The democratic processes that constantly accompany modern society lead to an increase in the activity of ordinary citizens in all spheres. There is a transition…Continue reading Participatory culture or co-creation: rethinking the ways of culture production

UDC 7.01:004.9]-045.73:[159.954.2-028.22:791.63 Igor Pecheranskyi Kyiv National University of Culture and Arts, Kyiv.ORCID ID 0000-0003-1443-4646 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.36-45 Keywords: audio-visual production, film industry, ecosystem approach, ecosystem connections, convergence, creative decisions, visual image, technologies film- and video production. Abstract. The scientific investigation is an attempt to reveal a mutual influence of technical and artistic-creative attempt of the process…Continue reading The convergence of technologies and creative decisions during making visual image in the film industry: analysis of ecosystem connections

Piotr Dahlig University of Warsaw, Institute of Musicology, Warsaw (Poland).ORCID ID 0000-0001-5200-4386 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.46-54 Keywords: ethnomusicology, authentic performances, Ukrainian-Polish relationships. Abstract. The article discusses Ukrainian-Polish relationships in the realm of that traditional music culture which is deeply rooted both in natural and intangible values. It argues that the term and activities of ethnomusicology, formulated first…Continue reading Ethnomusicology as the Ukrainian-Polish invention and common proceedings in study on ethnic musical cultures

Katarzyna Szymańska-Stułka Chopin University of Music, Warsaw (Poland).ORCID ID 0000-0002-1862-6218 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.55-62 Keywords: Szymanowski, Kyiv, Myths, Metopes, free musical poem. Abstract. Karol Szymanowski was a multidimensional figure. His musical and literary achievements, which are as numerous as his musical compositions, are widely known. He made literary translations, recomposed poetic texts for his songs, and also…Continue reading Kyiv as an inspiration for the work of Karol Szymanowski

UDC 78.07 Olena Berehova Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0003-4384-9365 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.63-90 Keywords: Ukrainian-Polish cultural relations, the Polish Composers’ Union, cultural colonization of Ukraine, postcolonial studies, cultural dialogue, Ukrainian music. Abstract. The research is based on the analysis of materials from the archive of the Polish…Continue reading The Ukrainian-Polish Cultural Dialogue of the 1960s in the Discourse of Postcolonial Studies (based on the Archives of the Polish Composers’ Union)

UDC 008. 130.2 Yevhen Prychepii Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-5363-1004 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.91-116 Keywords: symbols of the Moon of the Stone Age, three- and seven-membered symmetrical structures of symbols. Abstract. Insight into the semantics of symbols and ornaments that conveyed the cycle of the Moon is…Continue reading The goddess of Moon in archaic symbolism and folk ornaments (about symmetrical seven-and three-membered structures)

UDC 37.036.5 Anna Myronenko PI “Hlukhiv School of Arts named after Maхіm Berezovsky”, Hlukhiv.ORCID ID 0000-0002-3978-2463 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.117-124 Keywords: Hlukhiv, Hlukhiv gymnasiums, Hlukhiv singing school, Dmytro Kashuba, art education, music school. Abstract. The article is devoted to highlighting the process of formation of the artistic and educational component of the cultural paradigm of the Hlukhiv…Continue reading The Hlukhiv Children’s School of Arts as a component of the formation of professional music education in the Sumy Region in the Twentieth Century