Olena Berehova Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0003-4384-9365 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.92-101 Keywords: Maryna Denysenko-Sapmaz’s works, Ukrainian contemporary music, female composer, neo-style, cultural creation, Ukrainian diaspora. Abstract. For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the…Continue reading Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries
UDC 78.092:780.616.432(477)]:316.722(100) Olena Berehova Інститут культурології Національної академії мистецтв України, м. Київ. ORCID ID 0000-0003-4384-9365 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.78-89 Keywords: musical culture, globalization, Ukrainian international piano competition, piano performance, festival and competition movement, dialogue of cultures. Abstract. The article clarifies the influence of globalization on the musical culture of Ukraine, in particular, on international piano competitions. It emphases…Continue reading Ukrainian piano competitions in the space of global intercultural dialogue
UDC 001.891:004.91]:050(477:4) Olena BerehovaInstitute for Cultural Research of National Academy of Arts of Ukraine, Kyiv.ORCID 0000-0003-4384-9365 DOI: https://doi.org/10.37627/2311-9489-17-2020-1.149-164 Keywords: integration, Ukrainian Humanities, scientometry, scientometric databases, world information space, scientific periodicals, indexation, scientific communication. Abstract. The study outlines the most important global integration trends of the last decades in the scientific community. It characterizes state formation…Continue reading The Integration of Ukrainian Humanities into the International Academic and Information Space: Challenges and Prospects
UDC 792.03:785+78.071.1 (477) Olena BerehovaInstitute for Cultural Research of National Academy of Arts of Ukraine, Kyiv.ORCID 0000-0003-4384-9365 DOI: https://doi.org/10.37627/2311-9489-14-2018-2.102-108 Keywords: instrumental theatre, modern Ukrainian music, Ukrainian composers, visualization, theatricalization. Abstract. Relevance of research. Instrumental theatre as a specific phenomenon of musical creativity was first recognized in the mid-1960s. Researchers note the following features of the…Continue reading Instrumental Theater in the Modern Ukrainian Composers’ Creativity
Abstract. Modern musical practice certifies that music that is the most abstract type of art and has undoubted advantages in the voice recreation of the emotional states and moods today sets many examples of the search of additional artistic means by composers for providing of more close intercommunication with a listener. In the most cases a composer finds these means in the visual types of arts, and they begin to carry out the role of additional visual codes in the system of musical communication: Composer — a Piece of music — Performer — Listener. Visualization on the first stage of the system of musical communication (“Composerˮ) embraces specific synesthetic (that is involving simultaneously auditory and visual) perception by some composers of domestic and artistic phenomena (such were Nikolai Rimsky-Korsakov, Alexander Scriabin, Mikalojus Čiurlionis, Olivier Messiaen and other composers), and also abilities both for musical and graphic arts (M. Čiurlionis, K. Stetsenko, S.Turkevych-Lukiianovych, Lesia Dychko and others).