Volume 22 No 2 (2022)

DOI: https://doi.org/10.37627/2311-9489-22-2022-2 Published: 2022 CONTENTS THEORY AND HISTORY OF CULTURE Modern algorithms for interpreting the history of music: an epistemological discourse 8—16Olha Zavіalova, Mariya YarkoDOI: https://doi.org/10.37627/2311-9489-22-2022-2.8-16PDF Methods of ballet-master’s work in the historical aspect 17—37Yeva KovalenkoDOI: https://doi.org/10.37627/2311-9489-22-2022-2.17-37PDF “Episode — series — series products” as structural components of modern culture 38—45Tymofii KokhanDOI: https://doi.org/10.37627/2311-9489-22-2022-2.38-45PDF WORLD CULTURE AND…Continue reading Volume 22 No 2 (2022)

Modern algorithms for interpreting the history of music: an epistemological discourse

УДК 78.03 Olha Zavіalova Sumy State A. S. Makarenko Pedagogical University, Sumy.ORCID ID 0000-0002-9483-5871 Mariya Yarko Ivan Franko State Pedagogical University, Drohobych.ORCID ID 0000-0003-4514-3550 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.8-16 Keywords: algorithms for interpreting the history of music, monadological approach, metalogics of style, an invariant of stylistic model. Abstract. In the article a historically significant situation is considered, when with the…Continue reading Modern algorithms for interpreting the history of music: an epistemological discourse

Methods of ballet-master’s work in the historical aspect

UDC 792.8+792.03+7.071.1+7.071.2 Yeva Kovalenko M. T. Rylskyi Institute for Art Studies, Folklore and Ethnology, Kyiv. ORCID ID 0000-0002-9731-4668 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.17-37 Keywords: ballet, ballet master, classical ballet, ballet history, ballet performance creating process, ballet masters’ work methods, choreography. Abstract. The article shows the peculiarities of   outstanding ballet masters’ work and the process of genesis and development of this…Continue reading Methods of ballet-master’s work in the historical aspect

“Episode – series – series products” as structural components of modern culture

Tymofii KokhanInstitute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0003-1134-9761 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.38-45 Keywords: episode – series – series products, cultural creation, problem area, professionalism. Abstract. It is argued that from decade to decade Ukrainian humanities are actively expanding the research space, discovering new, theoretically important “problem areas”, the understanding of which…Continue reading “Episode – series – series products” as structural components of modern culture

Creativity of female artists in Italian fine arts of XV–XVII centuries

UDC 75.071.1-055.2(450)(092)”14/16” Halyna Stakhevych Sumy State A. S. Makarenko Pedagogical University, Sumy.ORCID ID 0000-0002-5915-2434 Natalia Kokhan Sumy State A. S. Makarenko Pedagogical University, Sumy.ORCID ID 0000-0003-2283-0761 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.46-62 Keywords: female artists, Italian fine arts, social status, professional creativity, gender issues. Abstract. The article provides an overview and reveals the features of the professional formation, development and social status of…Continue reading Creativity of female artists in Italian fine arts of XV–XVII centuries

Functional role of the cello in Handel’s solo cantatas

UDC: 780.614.334:784.5.087.685.071.2(430) Tetyana GrechanivskaSumy State A. S. Makarenko Pedagogical University, Sumy.ORCID ID 0000-0002-4211-4394 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.63-71 Keywords: baroque music, Handel, ensemble instrumental, cello, solo cantata, functional role, basso continuo, obbligato. Abstract. The article considers the functional role of the cello in the vocal-instrumental musical works of the Baroque period and attempts to shift the problem from the practical-performing…Continue reading Functional role of the cello in Handel’s solo cantatas

Nikolai Leskov’s Kyiv Text 

Ani Abrahamyan  Indiana University Bloomington, IN, USA. ORCID ID 0000-0001-8112-4811 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.72-80 Keywords: Nikolai Leskov, the Kyiv Text, city as text, memoir genre. Abstract. In 1849, eighteen-year-old Nikolai Leskov moved to Kyiv, where he would spend the next ten years of his life. Some thirty-four years later, he wrote a vivid memoir titled Pecherskie antiki…Continue reading Nikolai Leskov’s Kyiv Text 

The tragedy of otherness. Reflection on Lars von Trier’s film “Nymphomaniac”

UDC 791.4  Mikhail N. Epstein Emory University, Atlanta, GA, USA.ORCID ID 0000-0003-1544-837X Natalya Shelkovaya Volodymyr Dahl East Ukrainian National University, SeverodonetskORCID ID 0000-0001-7303-0719 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.81-91 Keywords: nymphomania, love, sensuality, insensitivity, manic vitality, symbols, somatic cognition. Abstract. The authors of the article, using a transdisciplinary method of research from the standpoint of cultural studies, art history,…Continue reading The tragedy of otherness. Reflection on Lars von Trier’s film “Nymphomaniac”

Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries

Olena Berehova Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0003-4384-9365 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.92-101 Keywords: Maryna Denysenko-Sapmaz’s works, Ukrainian contemporary music, female composer, neo-style, cultural creation, Ukrainian diaspora. Abstract. For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the…Continue reading Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries

The archetype of the trickster and its embodiment in the artistic images of Goat and Malanka (on the example of the oratorio of Hanna Havrylets «Barbivska Kolyada»)

UDC 130.2+78(477) Mariia Turchyna Ukrainian National Tchaikovsky Academy of Music, Kyiv.ORCID ID 0000-0003-2342-014X DOI: https://doi.org/10.37627/2311-9489-22-2022-2.102-111 Keywords: the archetype of the trickster, artistic image, Goat and Malanka, composer’s work of H. Havrylets, oratorio «Barbivska Kolyada». Abstract. The article analyzes the archetype of the trickster and its embodiment in the artistic images of Goat and Malanka in the…Continue reading The archetype of the trickster and its embodiment in the artistic images of Goat and Malanka (on the example of the oratorio of Hanna Havrylets «Barbivska Kolyada»)