Volume 19 No 1 (2021)

DOI: https://doi.org/10.37627/2311-9489-19-2021-1

Published: 2020.11.19

CONTENTS

THEORY AND HISTORY OF CULTURE

Metaphysics and dialectics of the Third in the dialogue of cultures: axiological and psychoanalytic dimensions 8—21
Yevheniia Bilchenko
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.8-21
PDF

To the problem of comprehending symbolic violence in screen discourse 22—32
Hanna Chmil
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.22-32
PDF

The postmodern transformation of the cultural practices of everyday life as academic and humanitarian problem 33—45
Valentyna Sudakova
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.33-45
PDF

The concept of structuralism in the context of historical development of art and design 46—54
Natalia Vergunova
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.46-54
PDF

Entertainment as a sociocultural phenomenon: historical and cultural analysis 55—65
Olena Chumachenko
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.55-65
PDF

WORLD CULTURE AND ІNTERNATIONAL RELATIONS

Ovid, Shakespeare, Shevchenko: features of autocommunication practices 66—75
Maria Kushnarova
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.66-75
PDF

UKRAINIAN CULTURE

Sacred art in the context of the creation and regulation of the religious buildings environment design in Galicia 76—89
Roman Odrekhivskyi
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.76-89
PDF

Realistic landscape in the works of Ivan Honchar 90—101
Natalia Kovalenko
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.90-101
PDF

Alternative spaces of cafes of Western Ukrainian cities in the end of the XXth century in the context of civilizational preferences 102—116
Nadiia Babii
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.102-116
PDF

New socio-cultural reality of Ukraine and the world: Features and future prospects 117—124
Viktor Shostak
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.117-124
PDF

MUSEOLOGY AND PROTECTION OF CULTURAL HERITAGE

Creating a comfortable environment as a basis of effectiveness of museum communication 125—134
Andrii Soshnikov, Olha Ivashchenko
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.125-134
PDF

Determining the status of immovable objects of cultural heritage: features and existing problems 135—143
Maryna Mishchenko
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.135-143
PDF

APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES

The phenomenon of SoNoR ensemble in the context of the cultural paradigm shift at the turn of the 21st century 144—154
Samir Mirzayev
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.144-154
PDF

The art fairs in the context of the modern stage of art market development 155—164
Serhii Rusakov
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.155-164
PDF

Guitar movement in Ukraine at the beginning of the XXIst century 165—173
Kostyantyn Chechenya
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.165-173
PDF

Art-Dominanta International Folk Instruments Performers Competition as a factor in maintaining the spiritual security of the Ukrainian society and promoting the traditions of folk instrumental art of Ukraine in the world 174—187
Yana Danyliuk
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.174-187
PDF


Full Issue in PDF


ARCHIVES