UDC 7.012: 7.01]-001.2
Natalia Vergunova
O. M. Beketov National University of Urban Economy in Kharkiv, Kharkiv.
DOI: https://doi.org/10.37627/2311-9489-19-2021-1.46-54
Keywords: art, design, structuralism, structural man, function, aesthetics.
Abstract. The article discusses theoretical foundations for the emergence and formation of structuralism in Western European art criticism in the 1930-1940s, namely, the theory of representatives of the Viennese school. It considers the main concepts and terms of the concept of structuralism formed by theorists of that time in the context of the development of art history. An attempt to project the ideas of structuralism into the sphere of design is made with the involvement of the research by French theorists Claude Levi-Strauss and Roland Barthes. As a result, the main theoretical provisions of structuralism as a modeling activity and a structural person as a creator of meanings were correlated with the design field and the professional duties of a designer. Considering certain structuralism ideas in the works of French researchers in the context of the modern process of creating an industrial product, the concept of structuralism was supplemented and its certain predictability for the development of design in general was revealed.
Author Biography.
Natalia Vergunova, Ph.D., associate professor, O. M. Beketov National University of Urban Economy in Kharkiv, Kharkiv.
n.vergnova@gmail.com
References:
Bart, R. (1989). Izbrannye raboty. Semiotika, Pojetika. [Selected Works. Semiotics, Poetics]. V. D. Mazo (Ed.). Moscow: Progress. (in Russian)
Bazin, G. (1994). Istorija istorii iskusstva: Ot Vazari do nashih dnej [Histoire de l’histoire de l’art: de Vasari à nos jours]. Transl. from French by K. A. Chekalov. Moscow: Progress. (in Russian)
Bychkov, V. V. (2004). Jestetika [Aesthetics]. Moscow: Hardariki. (in Russian)
Dolgova, E. A. (2009). Strukturnyj podhod v dizajn-proektirovanii [Structural approach in design]. Retrieved from http://taby27.ru/studentam_aspirantam/aspirant/filosofiya-nauki.-arxitekture-dizajnu-dpi/strukturnyj-podxod-v-dizajn-proektirovanii.html
Lévi-Strauss, C. (1994). Strukturalizm i jekologija [Structuralism and ecology]. Moscow: Respublika. (in Russian)
Sedlmayr, H. (2000). Iskusstvo i istina: Teorija i metod istorii iskusstva [Kunst und Wahrheit. Zur Theorie und Methode der Kunstgeschichte]. Tranl. from German by Ju. Popov. Moscow: Axioma. (in Russian)
Ulrich, К., & Eppinger, S. (2007). Promyshlennyj dizajn: sozdanie i proizvodstvo produkta [Product Design and Development]. M. A. Matveev (Ed.). Transl. from English by M. Lebedev. Moscow: Vershyna. (in Russian)
Vaneian, S. S. (1999). Mezhdu geshtaltom i teofaniej [Between gestalt and theophany]. Iskusstvo i istina, (1), 506–552. (in Russian)
Velflin, H. (2009). Osnovnye ponjatija istorii iskusstv [Basic concepts of art history]. Moscow: Akademyia. (in Russian)
Vergunov, S. (2010). Tryvymirne modeliuvannia u promyslovomu dyzaini Ukrainy kintsia XX – pochatku XXI st. (dys. kand. mystetstvoznavstva) [3D-modeling in Ukrainian industrial design at the end of ХХ and at the beginning of ХХI century. PhD dissertation (Design)]. Kharkiv: Kharkiv State Academy of Design and Arts. (in Ukrainian)
Vlasov, V. G. (2017). Teorija formoobrazovanija v izobrazitelnom iskusstve [Theory of Shaping in Fine Arts]. Saint Petersburg: Izdatelstvo Sankt-Peterburgskogo gosudarstvenngo universiteta. (in Russian)
Published: November 19, 2020.
Section: THEORY AND HISTORY OF CULTURE.