DOI: https://doi.org/10.37627/2311-9489-25-2024-1
Published:
CONTENTS
THEORY AND HISTORY OF CULTURE
The problem of definition and substantive evolution of the research subject of Ukrainian cultural research 8—15
Pavlo Holotenko
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.8-15
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“Craft” as a factor of artistic creativity: interpretive searches of metamodernism 16—24
Olena Onishchenko
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.16-24
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The artisanal turn as another search for the “lost time” (Proust) by Ukrainian intellectuals and the plane of their representation 25—39
Hanna Chmil
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.25-39
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Socio-cultural tendencies of the design evolution 40—49
Svitlana Pryshchenko, Yevhen Antonovych, Tetyana Senchuk
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.40-49
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Cultural rights as deontological and existential dimension in safeguarding and renovating the intangible cultural heritage 50—57
Oleksandr Butsenko
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.50-57
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«Illusory feelings» as a structural element of the theory of imagination (based on the materials of «The Principles of Art» by R. G. Collingwood) 58—65
Maryna Ternova
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.58-65
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WORLD CULTURE AND INTERNATIONAL RELATIONS
Syrians in Post-Roman Britain: an Interdisciplinary Survey 66—78
Daria Morozova
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.66-78
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Intangible cultural heritage in national and international legislation 79—88
Valentyna Demian
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.79-88
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Text and textile: the variability of “moire” in R. Barthes’s conceptualisations 89—98
Anfisa Doroshenko
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.89-98
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Semantic-stylistic and verbal-behavioral features of character formation of “incompetent professionals” in Hollywood cinema 99—109
Mykyta Surnin
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.99-109
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UKRAINIAN CULTURE
Lost icons from the iconostas of the Cathedral of the Dormition of the Yelets Monastery (photo by Stephan Taranushenko) 110—123
Svitlana Olianina
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.110-123
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Modern television projects in the field of cultural and film studies 124—133
Tymofii Kokhan
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.124-133
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APPLIED CULTURAL STUDIES AND CULTURAL PRACTICES
“Excursus to the Jesuit Theater” (1910) by Volodymyr Ryezanov as a historiographical source 134—149
Anhelina Anhelova
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.134-149
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From gesture to image: the conductor’s activity in the aspect of musical communication 150—158
Oleksandra Berestovska
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.150-158
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Cultural entrepreneurship: values, criteria and societal impact 159—169
Oleksandra Oliinyk
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.159-169
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Thanatolatry as a signifier of totalitarian ideology (on the example of russia) 170—181
Artem Bohutskyi
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.170-181
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