Olena Onishchenko
Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv.
ORCID ID 0000-0002-7118-3276
DOI: https://doi.org/10.37627/2311-9489-25-2024-1.16-24
Keywords: сraft, “artisan turn”, metamodernism, interpretation, artistic creativity, historical and cultural experience, mannerism, alchemy, “reverse chemistry”, the principle of “non – finito”.
Abstract.
The article focuses on the problem of “craft”, which occupies a special place in the theoretical space of the phenomenon of artistic creativity since the time of Plato. Throughout the various stages of historical and cultural development, the attitude towards “craft” changed noticeably, however, to one degree or another, the problem of creativity always remained in the field. The experience of the theoretical analysis of the “craft” problem in the aesthetic and art studies of R. J. Collingwood and J. Deleuze is reconstructed.
Articulated in such historical and cultural stages as the Middle Ages – consideration of the craft in the context of the “canon” with an emphasis on “techniques – skills”, the Renaissance, when the level of the craft is correlated with the mastery of “mathematics – geometry” and the research processes of the 16th century, where the craft is finally separated from art.
The role of mannerism in the preservation of “craft” in the content of aesthetic-artistic issues is emphasized, as well as the presence of the “craft” segment in explorations of both artistic and scientific and technical creativity.
It is shown that entering on the border of XX-XXI centuries. into the European cultural space of metamodernism defined new interpretive approaches to a number of stable concepts that guided the humanism of the past, in particular, to the concept of “craft”. A new approach to its understanding contributed to the actualization of the material proposed in the article.
Authors Biography.
Olena Onishchenko, Doctor of Philosophical Sciences, professor, Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv.
References:
Akker, Robin van den, Vermeulen, Timotheus, & Gibbons, Alison (Eds). (2017). Metamodernism: Historisity, Affect and Depth After Postmodernism. Rowman & Littlefield Publishing Group. 437 p.
Alkhimiia [Alchemy]. (No date). Retrieved from https://slova.com.ua/word/алхімія (in Ukrainian)
Collingwood, R. G. (1938). The Principles of Art: monography. The Clarendon Press.
Kifer, Anselm [Kiefer, Anselm]. (No date). Retrieved from https://arthive.com/artists/3722~Anselm_Kiefer
Kolesnyk, O.S. (2019). Osnovy kulturolohichnoi interpretolohii [Basics of cultural interpretology]. Modern cultural studies: actualization of theoretical and practical dimensions: collective monograph. Yu. S. Sabadash (Ed.). Kyiv: Lira. P. 88–108. (in Ukrainian)
Manieryzm [Mannerism]. (No date). Retrieved from https://slovnyk.ua/index.php?swrd=маньєризм (in Ukrainian)
Remeslo (khudozhnie) [Craft (artistic)]. (No date). Retrieved from https://www.ebk.net.ua (in Ukrainian)
Remeslo [Craft]. (No date). Retrieved from https://sum.in.ua/s/remeslo (in Ukrainian)
Vinchi, L. da [Vinci, L. da]. (No date). Retrieved from https://espreso.tv/article/2015/04/15/leonardo_da_vinchi_pro_uspishnist__tvorchist_ta_filosofiyu_zhyttya (in Ukrainian)
Published: .
Section: THEORY AND HISTORY OF CULTURE.