Vadym Skurativskyi
Kyiv National University of Theater, Cinema and Television named after I.K. Karpenko-Karyi, Kyiv.
ORCID ID 0000-0001-5338-3912
DOI: https://doi.org/10.37627/2311-9489-23-2023-1.38-44
Keywords: moving image, space, time.
Abstract.
The article is devoted to the analysis of the “moving image” as a phenomenon of noospheric significance, a phenomenon of historically unavoidable, existential-authentic, extremely objective symbolic fixation of the temporal-spatial processuality of the world. It was found out that this “moving image” put an end to the polemic presented by the German educator Lessing in his treatise “Laokoon, or on the limits of painting and poetry”, outlining the boundaries between “spatial arts” that reflect “space, objects in it” and poetry (properly language art), which embodies first of all time, and in this way connected Time and Space in its very structure.
A very specific interaction of spatial and temporal information in the very architecture of the human brain has been established, in which the left hemisphere forms language-speech, and the right hemisphere forms spatial representationsformations, and the human brain itself “films” the surrounding world in the same way as a movie camera, but in full awareness.
Authors Biography.
Vadym Skurativskyi, Academician of the National Academy of Arts of Ukraine, Doctor of Sciences in Art Studies, professor, Kyiv National University of Theater, Cinema and Television named after I.K. Karpenko-Karyi, Kyiv.
vchenarada.iknamu@gmail.com
References:
Ivanov, V. V. (1968). Izbrannye trudy po semiotike i istorii kul’tury [Selected works on semiotics and cultural history]. Vol. 1. Znakovye sistemy. Kino. Pojetika. Moscow: Jazyki russkoj literatury. (in Russian)
Luria, A. (1933). Jejdetizm [Eideticism]. Bol’shaja sovetskaja jenciklopedija. Vol. 63. Moscow. P. 135–139. (in Russian)
Rodnjazhskaja, I. (1978). Hudozhestvennoe vremja i hudozhestvennoe prostranstvo [Artistic time and art space]. Kratkaja literaturnaja jenciklopedija. Vol. 9. A–Ja. P. 772. (in Russian)
Skurativskyi, V. (1972). Mystetski problemy v nimetskomu romani ХХ st. [Artistic problems in the German novel of the 20th century]. Kyiv: Kyivskyi universytet. (in Ukrainian)
Skurativskyi, V. (1974). Bilia vytokiv kinematohrafa [Near the origins of cinema]. Vsesvit. (in Ukrainian)
Skurativskyi, V. (1976). Skilky tysiacholit kinematohrafu [How many millennia of cinematography]. Vsesvit. (in Ukrainian)
Skurativskyi, V. (1977). Pamiati Andre Malro [In memory of André Malraux]. Vsesvit. (in Ukrainian)
Skurativskyi, V. (1982). Istoriia kino v konteksti zahalnoi istorii kultury [The history of cinema in the context of the general history of culture]. Mystetstvo kino: zb. Kyiv: Mystetstvo. (in Ukrainian)
Skurativskyi, V. (1996). Kino yak «vidkryttia» liudyny [Cinema as the “discovery” of a person]. Filosofiia i sotsialna dumka. (in Ukrainian)
Skurativskyi, V. (2009). Oleksandr Dovzhenko ta Andre Malro: pro odnu ne zustrich [Oleksandr Dovzhenko and André Malraux: about more than one meeting]. Kino–Teatr. No 2. (in Ukrainian)
Skurativskyi, V. (2017). Z kinematohrafichnoho zapysnyka [From a cinematographic notebook]. Kyiv: Kino–Teatr/Art Knyha. (in Ukrainian)
Published: 2023.04.04.
Section: THEORY AND HISTORY OF CULTURE.