UDC 316.772.2[7+821130.123.3](1-21) ”XXI”
Vasyl Stefanyk Precarpathian National University, Ivano-Frankivsk.
Keywords: intermediality, language experiments, media, topical practices of the 21st century.
Abstract. The aim of the work is to explore alternative ways of communication between poets and audience and methods for reproducing poetry through topical practices at the beginning of the XXI century. Accordingly, it aims to consider cultural and artistic experiments of the second decade of the 21st century developed on the basis of language as a symbolic sign and sound system; to identify the main directions of intermedial interaction, the degree of socio-cultural differentiation and variability of communicative agents. The author applies the method of intermedial analysis formed on the basis of post-structural and postmodern methodology as well as the systematic approach of the theory of communication. The synthesis procedure involves considering of the integral properties of synthetic practices that are not inherent to the constituent components. The study determines the intermedial ties in topical poetic practices of the 21st century.
Plenty of communicative forms of presentation of poetic texts of the beginning of the 21st century reflect continuity with poetic practices of the 1990s but in the conditions of the screen culture of the hypermodern. New formations indicate the transition of literature from autonomy to mediality and intermediality, from authenticity to reproductivity, demonstrating transgression of borders between various spaces (real, virtual), artistic environments. Synthetic forms of topical practices such as performance, installation, flash mob, street art, show different directions of intermedial interaction in modern reproduction, attract a wide audience to cultural puncture, democratizing urban spaces.
Nadiia Babii, Ph.D. (Art Studies), assistant professor, department of design and art theory, Vasyl Stefanyk Precarpathian National University, Ivano-Frankivsk.
Andrukhovych, Yu. (2017). Slova slova slova [Words words words]. Zbruch. 28.01.2020. Retrieved from https://zbruc.eu/node/63290 (Accessed on 22.01.2021). (in Ukrainian)
Babii, N. (2020). Aktualni kulturno-mystetski praktyky ta protsesy: problematyka naukovoho dyskursu [Contemporary art and cultural practices and processes in scientific discourse]. Issues in Cultural Studies. № 36. P. 69–78. (in Ukrainian) DOI: https://doi.org/10.31866/2410-1311.36.2020.221047
Hanzen-Löve, А. A. (2016). Intermedialnost v russkoj kulture: Ot simvolizma k avangardu [Intermediality in Russian culture: From symbolism to the avant-garde]. Moscow: RGGU. 450 p. (in Russian)
Chepelyk, О. (2009). Suspilne zamovlennia dlia urbanistychnykh prostoriv [Public order for urban spaces]. Modern problems of research, restoration and preservation of cultural heritage, № 6. P. 430–446. (in Ukrainian)
Chuprinin, S. (2007). Zhizn po ponyatiyam [Life by concepts]. Moscow: Vremya. 766 p. Retrieved from https://lit.wikireading.ru/11467 (Accessed on 22.01.2021). (in Russian)
Deresh, L. (2007) Vichni poshuky inshoho. Chotyry khvyli psykhodelii v muzytsi [Eternal search for the other. Four waves of psychedelia in music]. 22.01.2021. Аrt-vertep. Retrieved from http://artvertep.com/authors/173/article/11556.html (Accessed on 22.01.2021). (in Ukrainian)
Drofan, L. (2013). Literatura poza literoiu [Literature outside the letter]. Mist. 9. P. 37–45 (in Ukrainian).
DRUMTIATR: «My reprezentuiemo poeziiu muzychnymy zasobamy» [“We represent poetry by musical means”] (2017). 18.01.2021. Retrieved from https://inpoland.net.pl/novosti/drumtiatr-mi-reprezentuehmo-poeziyu-muzichnimi-zasobami/ (Accessed on 18.01.2021). (in Ukrainian)
Duffy, R. (2021). The NFT Market Tripled Last Year, and It’s Gaining Even More Momentum in 2021. Morning Brew. Retrieved from https://www.morningbrew.com/emerging-tech/stories/2021/02/22/nft-market-tripled-last-year-gaining-even-momentum-2021 (Accessed on 12.04.2021).
Filatov, A. (2015). Oleh «Mokh» Hnativ i kino konoplianoho vidvaru [Oleg “Moss” Gnativ and hemp broth movies]. Retrieved from https://www.cutinsight.com/ua/oleg_moh_gnativ_i_kino_konoplyanogo_otvara/ (Accessed on 18.01.2021). (in Ukrainian)
Greenberg, С. (1958). Collage. The quintessential essay on Cubism and probably the most important single essay about the 20th Century painting. Art and Culture, substantially revised from an article in Art News. Retrieved from http://www.sharecom.ca/greenberg/collage.html (Accessed on 17.03.2021).
Yeshkiliev, V. (2020). Pro vlasnykiv vpodobaiok [About the owners of the likes]. Reporter. 16.01.2021. Retrieved from https://report.if.ua/gazeta/volodymyr-yeshkilyev-pro-vlasnykiv-vpodobajok/ (Accessed on 18.01.2021). (in Ukrainian)
Konyves, Т. (2011). Videopoetry: a manifesto. Retrieved from http://liberatedwords.com/wp-content/uploads/2019/07/VIDEOPOETRY_A_MANIFESTO.pdf (Accessed on 22.01.2021).
Nemchenko, L. (2015). Sovremennye hudozhestvennye praktiki: perekodirovanie publichnyh prostranstv [Contemporary Art Practices: Transcoding Public Spaces]. Topografii populjarnoj kultury. 10.02.2020. Retrieved from https://public.wikireading.ru/162687 (in Russian)
Pershyi vidmin-ok [The nominative case]. (2018). Nezalezhne mystetstvo Ivano-Frankivska. Devianosti-nulovi. Teksty, vizii, persony [Independent Art of Ivano-Frankivsk. 1990s – 2000s. Texts, visions, personalities]. Ivano-Frankivsk: «ArtHuss». (in Ukrainian)
Pukhariev, F. (2017). Taras Prokhasko: «Davnishe prahnuv, shchob moi teksty zvuchaly yak muzyka» [“I used to want my lyrics to sound like music”]. Retrieved from https://karabas.live/taras-prohasko-davnishe-pragnuv-shhob-moyi-teksti-zvuchali-yak-muzika/ (Accessed on 18.01.2021). (in Ukrainian)
Pysmennyk pro pysmennykiv: ukrainska literatura ochyma Stepana Protsiuka [Writer about writers: Ukrainian literature how Stepan Protsyuk saw it] (2019). Retrieved from https://www.youtube.com/watch?v=33Ylcl7zJl0&ab_channel=СтепанПроцюк (Accessed on 14.03.2021). (in Ukrainian)
Rozdilovi. Istoriia [Punctuation. History]. (No date). Retrieved from https://rozdilovi.org/ua/history (Accessed on 14.03.2021). (in Ukrainian)
Schröter, Jens. (2011). Discourses and Models of Intermediality. Comparative Literature and Culture. 13.3 рр. DOI: https://doi.org/10.7771/1481-4374.1790
The simplest words explain it all. (2016). Retrieved from https://www.youtube.com/watch?v=EyM9SRe976c&feature=emb_logo&ab_channel=artpolechannel (Accessed on 18.01.2021).
Tishunina, N. (2001). Metodologija intermedialnogo analiza v svete mezhdisciplinarnyh issledovanij [Intermedial analysis methodology in the light of interdisciplinary research]. Proceedings of the Conference, Saint Petersburg, May 18, 2001 (рр. 149–154). (in Russian)
Wolf, W. (1999). Musicalization of Fiction: A Study in the Theory and History of Intermediality. Amsterdam: Rodopy. 272 p.
Yakovenko, K. (2021). Hans Ulrich Gumbrecht: «Povernennia do kolyshnoi realnosti vzhe nemozhlyve» [Hans Ulrich Gumbrecht: “It is no longer possible to return to the former reality”]. Retrieved from https://lb.ua/culture/2021/01/11/474887_gans_ulrih_gumbreht_povernennya.html (Accessed on 14.03.2021). (in Ukrainian)
Published: November 23, 2021.
Section: UKRAINIAN CULTURE.