DOI: https://doi.org/10.37627/2311-9489-21-2022-1 Published: 2021.11.23 CONTENTS THEORY AND HISTORY OF CULTURE The experience of “existence” with the cinematographic screen: the identification context 8—15Hanna ChmilDOI: https://doi.org/10.37627/2311-9489-21-2022-1.8-15PDF Universalism and traditionalism in a post-globalist perspective: ways of dialogue 16—23Yevgeniia (Ievgeniia) BilchenkoDOI: https://doi.org/10.37627/2311-9489-21-2022-1.16-23PDF The dialogue of cultures: theoretical and practical features of cultural production 24—33Oleksandra OliinykDOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33PDF WORLD CULTURE AND…Continue reading Volume 21 No 1 (2022)

Hanna Chmil Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0001-6569-1066 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.8-15 Keywords: identification, phenomenological perspective, touch aesthetics, tactility. Abstract. The article provides a deep analysis of a vast range of human experiences by means of highlighting the mechanisms of identification and the ways of their conceptualization. The…Continue reading The Experience of “existence” with the cinematographic screen: the Identification Context

УДК130.2:005.936.3 Yevheniia Bilchenko Institute for Cultural Research National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0001-9662-0594 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.16-23 Keywords: globalism, alter-globalism, anti-globalism, glocalization, universalism, traditionalism, dialogue. Abstract. The article focusses on the comparative analysis of the leading socio-cultural projects of contemporary society development in culturological discourse: globalism, alter-globalism and anti-globalism. The research aims to reveal…Continue reading Universalism and traditionalism in a post-globalist perspective: ways of dialogue

UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33 Keywords: cultural product, cultural diplomacy, dialogue of cultures, cultural industries, cultural space. Abstract. In this article the cultural product is understood in two contexts. According to the first one it is perceived as a result of…Continue reading The dialogue of cultures: theoretical and practical features of cultural production

Olena Onishchenko Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv. ORCID ID 0000-0002-7118-3276 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.34-41 Keywords: literary work means of aesthetic and artistic expression, search, reception of “layering”, elitism, experiment, “triviality–non-triviality”, pastiche, imitation. Abstract. The article reconstructs the creative path of Michel Welbeck – a famous French writer, essayist and film director,…Continue reading The potential of aesthetic and artistic search: the cultural model of Michel Welbeck

Tymofii KokhanInstitute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0003-1134-9761 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.42-50 Keywords: “Police” series, “serial products”, criminal genre, tradition, current state, the protagonist as a carrier of emotional and psychological burden. Abstract. The article reconstructs the Italian experience of creating “police” series, which from the 80s of the…Continue reading Traditions and current state of the “police” series: the Italian experience

Sławomir Płatek University of Gdańsk, Gdańsk (Poland). ORCID ID 0000-0002-0490-8732 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.51-68 Keywords: Pawel Pawlikowski, Ida, Cold War, Film Modernism, Neomodernism, Polish Film School, André Bazin, French New Wave. Abstract. The subject of the article is the analysis of the latest films by Paweł Pawlikowski in terms of their affiliation to trends in contemporary cinematography.…Continue reading Ida and the Cold War as (neo)modern movies

Maryna TernovaKyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv. ORCID ID 0000-0001-9266-5672 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.69-77 Keywords: classicism, Enlightenment, transition period, theoretical and practical parity, aesthetic experience, aesthetic subjectivity, imagination, genre “Political poetry”. Abstract. The article analyzes the situation in the scientific and artistic space of England in the transition period from classicism to the Enlightenment…Continue reading Outlines of theoretical and practical parity in the legacy of Joseph Addison

UDC 316.772.2[7+821130.123.3](1-21) ”XXI” Nadiia Babii Vasyl Stefanyk Precarpathian National University, Ivano-Frankivsk. ORCID ID 0000-0002-9572-791X DOI: https://doi.org/10.37627/2311-9489-21-2022-1.78-92 Keywords: intermediality, language experiments, media, topical practices of the 21st century. Abstract. The aim of the work is to explore alternative ways of communication between poets and audience and methods for reproducing poetry through topical practices at the beginning…Continue reading Reproduction and communication of the text in current practices of urban spaces of the XXI century

UDC 78.071.2 : 786.2 Lesia Turchak Kyiv National University of Culture and Arts, Kyiv. ORCID ID 0000-0002-0490-8732 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.93-101 Keywords: O. Gerdan-Zaklynska, dancer, Ukrainian choreographic culture, “expressive” dance, emigration, Canada, USA. Abstract. The article investigates creative activity of one of the V. Avramenko’s well-known students, Galician choreographer O. Gerdan-Zaklynska in homeland and in emigration. It analyzes her contribution…Continue reading Creativity of O. Gerdan-Zaklynska within the development of Ukrainian and world choreographic culture