UDC 7.01+130.2](410)”19”Кол:159.954.2](045) Maryna Ternova Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv.ORCID ID 0000-0001-9266-5672 DOI: https://doi.org/10.37627/2311-9489-25-2024-1.58-65 Keywords: «illusory feelings», «theory of imagination», «illusion of play», «typology of feelings», false feeling, hypothesis. Abstract. It is noted that the thorough monograph of the famous English philosopher, historian of science, and art theorist R. G.…Continue reading «Illusory feelings» as a structural element of the theory of imagination (based on the materials of «The Principles of Art» by R. G. Collingwood)
Author: Maryna Ternova
Structural elements of an artistic work: creative and research innovations by R. J. Collingwood
Maryna Ternova Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv.ORCID ID 0000-0001-9266-5672 DOI: https://doi.org/10.37627/2311-9489-23-2023-1.68-76 Keywords: structural elements of an artistic work, mimesis, image-reflection, artistic method. Abstract. The article reconstructs the process of formation of the structural elements of an artistic work: mimesis – canon – style – image – form – artistic…Continue reading Structural elements of an artistic work: creative and research innovations by R. J. Collingwood
Outlines of theoretical and practical parity in the legacy of Joseph Addison
Maryna TernovaKyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv. ORCID ID 0000-0001-9266-5672 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.69-77 Keywords: classicism, Enlightenment, transition period, theoretical and practical parity, aesthetic experience, aesthetic subjectivity, imagination, genre “Political poetry”. Abstract. The article analyzes the situation in the scientific and artistic space of England in the transition period from classicism to the Enlightenment…Continue reading Outlines of theoretical and practical parity in the legacy of Joseph Addison
The Theoretical Potential of the R. G. Collingwood’s Principles of Arts: the Experience of Modern Interpretation
Maryna Ternova
Abstract. The article, based on R. G. Collingwood’s monograph Principles of Art (1938), reconstructs the theoretical space of the English humanities of the time.