Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-28-2025-2.161-168 Keywords: public goods, cultural dimension, interdisciplinary research, interdisciplinarity, cultural studies, theory of culture, economics of culture, cultural production. Abstract. This article covers the scope of research issues dealing with the arguments supporting the hypothesis that cultural goods —…Continue reading Culture as production in the group of public goods
Author: Oleksandra Oliinyk
Cultural infrastructure: cultural services, cultural rights and public good
Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-26-2024-2.172-179 Keywords: cultural practices, cultural space, cultural problems, cultural policy, cultural infrastructure, interdisciplinarity, integration, identity, local economy, cultural dimension, economics of culture, theory of culture. Abstract. The article aims to develop a theoretical basis for the adaptation of a…Continue reading Cultural infrastructure: cultural services, cultural rights and public good
Cultural entrepreneurship: values, criteria and societal impact
Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-25-2024-1.159-169 Keywords: cultural entrepreneurship, cultural space, publishing, economics of culture. Abstract. The article introduces a theoretical concept of cultural entrepreneurship as an issue combining cultural value, economic benefit with the social impact. The aim of the paper is to…Continue reading Cultural entrepreneurship: values, criteria and societal impact
Cultural practices as a form of active cultural consumption
UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-24-2023-2.134-142 Keywords: cultural practice, inculturation, socialization, cultural consumption. Abstract. This paper focuses on the influence of passive and active cultural practices on the processes of inculturation and socialization. Despite the various attention to cultural practices…Continue reading Cultural practices as a form of active cultural consumption
Cultural Labor as the core subject for cultural policy
UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID ID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.158-167 Keywords: cultural policy, cultural labor, cultural worker, cultural space, subjectivity of the artist. Abstract. The article hypothesizes the necessity to assess the potential of “cultural labor” – the social role of cultural workers, their needs, and…Continue reading Cultural Labor as the core subject for cultural policy
The dialogue of cultures: theoretical and practical features of cultural production
UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33 Keywords: cultural product, cultural diplomacy, dialogue of cultures, cultural industries, cultural space. Abstract. In this article the cultural product is understood in two contexts. According to the first one it is perceived as a result of…Continue reading The dialogue of cultures: theoretical and practical features of cultural production
Commodification as the Means of Cultural Production
UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.156-164 Keywords: cultural production, aesthetic value, commodification, functions of art. Abstract. The paper discloses the phenomenon of the commodification of cultural production in course of evolutionary transformation of technic, technologic and economic capacities of society. Economic issues,…Continue reading Commodification as the Means of Cultural Production
Institutional Aspects of Art and Institutional Approach in Cultural Studies
Abstract. The article gives an introspective review of the genesis for institutional approach as it is seen both in modern theory of culture and in the philosophy of art and culture in the mid 1970-es in order to recollect and renew the methodology of cultural studies by the means of complex analyze, which includes not only interpretation of cultural phenomena, but also focuses on the social, economic and historical context which can be generalized as institutional aspect of cultural process.
The issue of institutionalism in art as the probable signifier of the artworld’s apperception of art-object, artwork or artefact (and art as is) launched both in theoretic concepts and applied studies concerning cultural production and artistic activity.
Nowadays the issue obtains more accuracy in western humanitarian society despite the attained experience in theoretic and applied studies still proceeds seeking of overall complex definition of following terms: “culture”, “art”, “artwork” and related interpreting and analytic concepts in various approaches.