UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID ID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-22-2022-2.158-167 Keywords: cultural policy, cultural labor, cultural worker, cultural space, subjectivity of the artist. Abstract. The article hypothesizes the necessity to assess the potential of “cultural labor” – the social role of cultural workers, their needs, and…Continue reading Cultural Labor as the core subject for cultural policy

UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-21-2022-1.24-33 Keywords: cultural product, cultural diplomacy, dialogue of cultures, cultural industries, cultural space. Abstract. In this article the cultural product is understood in two contexts. According to the first one it is perceived as a result of…Continue reading The dialogue of cultures: theoretical and practical features of cultural production

UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.156-164 Keywords: cultural production, aesthetic value, commodification, functions of art. Abstract. The paper discloses the phenomenon of the commodification of cultural production in course of evolutionary transformation of technic, technologic and economic capacities of society. Economic issues,…Continue reading Commodification as the Means of Cultural Production

Abstract. The article gives an introspective review of the genesis for institutional approach as it is seen both in modern theory of culture and in the philosophy of art and culture in the mid 1970-es in order to recollect and renew the methodology of cultural studies by the means of complex analyze, which includes not only interpretation of cultural phenomena, but also focuses on the social, economic and historical context which can be generalized as institutional aspect of cultural process.
The issue of institutionalism in art as the probable signifier of the artworld’s apperception of art-object, artwork or artefact (and art as is) launched both in theoretic concepts and applied studies concerning cultural production and artistic activity.
Nowadays the issue obtains more accuracy in western humanitarian society despite the attained experience in theoretic and applied studies still proceeds seeking of overall complex definition of following terms: “culture”, “art”, “artwork” and related interpreting and analytic concepts in various approaches.