Maria Danchenko National University of Kyiv Mohyla Academy, Kyiv.ORCID ID 0000-0002-7846-9947 DOI: Keywords: German Baroque, XVII century, Anton Ulrich von Braunschweig, Isaac de Benserade, Louis XIV, court ballet, Marie-Madelaine de Scudéry, heroic romance. Abstract. This article aims to investigate the perception of French esthetical and cultural narratives by Anton Ulrich of Brunswick, a prominent German…Continue reading French cultural narratives in the oeuvre of Anton Ulrich of Brunswick
Category: Vol 29 No 1 (2026)
Towards the cultural rights: from discourse to practice – international experience
Oleksandr Butsenko Institute for Cultural Research Board of National Academy of Arts of Ukraine, KyivORCID ID 0000-0001-6236-0907 DOI: Keywords: cultural rights, human rights, economic and social rights, international law, cultural identity, public policy. Abstract. The paper reviews the gradual development of legal, strategic, program, and financial instruments and mechanisms for securing cultural rights at the…Continue reading Towards the cultural rights: from discourse to practice – international experience
Viennese modernism: the problem of “language criticism”
Yuri Sapelkin Institute of Sociology, National Academy of Sciences of Ukraine, KyivORCID ID 0000-0002-3007-556X DOI: Keywords: Viennese modernism, “language criticism”, linguistic crisis, discussion, skepticism. Abstract. The article explores the issue of the social significance of the word. In the course of studying language as the primary means of communication, alarming tendencies regarding its ability to distort…Continue reading Viennese modernism: the problem of “language criticism”
Structural method in the study of the semantics of Trypillia–Cucuteni ornaments
Yevhen Prychepii Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv ORCID ID 0000-0002-5363-1004 DOI: Keywords: eight-element structure, eight phases of the Moon, seven-element structure, full moon, transitional moon, Trypillia–Cucuteni ornaments. Abstract. This paper substantiates the validity of applying the structural method to the study of Trypillian ornaments. An eight-element structure, A′BA″BA′BA″B, is…Continue reading Structural method in the study of the semantics of Trypillia–Cucuteni ornaments
Aesthetic paradigms of interactivity and immersion in digital audiovisual art of the metamodern era
Ihor Pecheranskyi Kyiv National University of Culture and Arts, Kyiv.ORCID ID 0000-0003-1443-4646 DOI: Keywords: interactivity, immersion, aesthetic paradigms, metamodernism, digital audiovisual art, VR/AR/XR, procedural generation, metaverses. Abstract. This scholarly contribution aims to scrutinize the trajectory of interactivity and immersion, conceptualized as aesthetic paradigms within digital audiovisual art during the period spanning 2000–2010. The analysis is…Continue reading Aesthetic paradigms of interactivity and immersion in digital audiovisual art of the metamodern era
The sonic image in contemporary musical art
Nadiia Bondarets National Academy of Culture and Arts Management, Kyiv ORCID ID 0000-0002-6716-0995 Oleksii Nosenko National Academy of Culture and Arts Management, Kyiv ORCID ID 0009-0005-3374-2283 DOI: Keywords: sound image, sound production, sonic image, auditory perception, immersiveness, spatial audio, mixing. Abstract. The study substantiates the categories of the sound image in contemporary musical art. A…Continue reading The sonic image in contemporary musical art
Art during wartime: an attempt by a practicing artist to reflect on their work based on field research
Oles Sanin National Academy of Arts of Ukraine, Kyiv ORCID ID: 0009-0000-2225-187X DOI: Keywords: war, art, field research, field observations, inventory of valuables, language of art, creative rehabilitation. Abstract. This article attempts to provide an answer not from the perspective of a theorist viewing the war from a safe distance, but from that of a…Continue reading Art during wartime: an attempt by a practicing artist to reflect on their work based on field research
Cultural entrepreneurship as a conceptual model: rationale and definition
Oleksandra Oliinyk Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-2392-3938 DOI: Keywords: cultural dimension, cultural issues, interdisciplinary research, interdisciplinarity, culturology, theory of culture, economics of culture, cultural production, cultural entrepreneurship. Abstract. The article proposes to consider the existing concepts of “cultural entrepreneurship”, the predetermination of which is the…Continue reading Cultural entrepreneurship as a conceptual model: rationale and definition
Ukrainian documentary cinema of the Soviet period: banned films
Violeta Demeshchenko Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv ORCID ID 0000-0001-8296-4628 DOI: Keywords: documentary film, ideology, censorship, Sovietism, art, avant-garde, socialist realism, the “Sixtiers”. Abstract. This article examines the peculiarities of the development of Ukrainian documentary cinema in the second half of the 20th century during the USSR (Soviet period),…Continue reading Ukrainian documentary cinema of the Soviet period: banned films
The verbal component in the semantics of the Ukrainian iconostasis: the formation of a tradition
Svitlana Olianina Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv ORCID ID: 0000-0002-0628-146X DOI: Keywords: iconostasis, engraving, textual insertions, Council of Trent, Catholic art, homily. Abstract. From the 1630s onwards, inscriptions began to appear on the architectural frame of the Ukrainian iconostasis, serving as textual commentaries to the images it…Continue reading The verbal component in the semantics of the Ukrainian iconostasis: the formation of a tradition