Aesthetic paradigms of interactivity and immersion in digital audiovisual art of the metamodern era

Ihor Pecheranskyi Kyiv National University of Culture and Arts, Kyiv.ORCID ID 0000-0003-1443-4646 DOI: doi.org/10.37627/2311-9489-29-2026-1.18-29 Keywords: interactivity, immersion, aesthetic paradigms, metamodernism, digital audiovisual art, VR/AR/XR, procedural generation, metaverses. Abstract. This scholarly contribution aims to scrutinize the trajectory of interactivity and immersion, conceptualized as aesthetic paradigms within digital audiovisual art during the period spanning 2000–2010. The analysis…Continue reading Aesthetic paradigms of interactivity and immersion in digital audiovisual art of the metamodern era

An original hypothesis on the semantics of Trypillian ornaments: a review of Yevhen Prychepii’s monograph “The Moon Goddess in the ornaments of Cucuteni–Trypillia Pottery: An introduction to the semantics of Trypillian ornaments”

Hanna Chmil Institute for Cultural Research of the National Academy of Arts of Ukraine ORCID ID 0000-0001-6569-1066 DOI: doi.org/10.37627/2311-9489-29-2026-1.201-204 Keywords: scientific hypothesis, structural method, Cucuteni–Trypillia, Trypillian pottery, ornament, semantics, Moon Goddess, lunar symbolism. Abstract. This review seeks to contribute to the scholarly discussion prompted by the publication of the monograph “The Moon Goddess in the…Continue reading An original hypothesis on the semantics of Trypillian ornaments: a review of Yevhen Prychepii’s monograph “The Moon Goddess in the ornaments of Cucuteni–Trypillia Pottery: An introduction to the semantics of Trypillian ornaments”

The evolution of the carnation image in visual culture: from a sacred symbol to a socio-political sign

Iryna Kostiuk Lviv National Academy of Arts, Lviv.ORCID ID 0000-0003-1779-7522 DOI: doi.org/10.37627/2311-9489-29-2026-1.53-71 Keywords: carnation, visual culture, image evolution, symbol in art, symbol in culture. Abstract. The aim of this study is to provide a comprehensive analysis of the evolution of the carnation’s image in visual culture, tracing its development from a mythological motif and sacred…Continue reading The evolution of the carnation image in visual culture: from a sacred symbol to a socio-political sign

“Excursus to the Jesuit Theater” (1910) by Volodymyr Ryezanov as a historiographical source

UDC 792.03:792.072 Anhelina Anhelova Kyiv Karpenko-Kary National University of Theatre, Cinema and Television, Kyiv.ORCID ID 0000-0001-7909-6292 DOI: https://doi.org/10.37627/2311-9489-25-2024-1.134-149 Keywords: scientific work of V. Ryezanov, school theater, Jesuit drama, polemical play, drama theory, normative aesthetics. Abstract. The article is devoted to the analysis of the monograph of the Ukrainian theater expert Volodymyr Ryezanov “An Excursus to…Continue reading “Excursus to the Jesuit Theater” (1910) by Volodymyr Ryezanov as a historiographical source

Syrians in Post-Roman Britain: an Interdisciplinary Survey

Daria Morozova University of Exeter, UK, Kyiv — Exeter.ORCID ID 0000-0001-5646-2851 DOI: https://doi.org/10.37627/2311-9489-25-2024-1.66-78 Keywords: Britain, Byzantium, Antiochian School, culturology, religion, Christianity, ecumenism, intercultural relations. Abstract. The author reviews literature from various fields of archaeology, history, and linguistics, trying to gather scattered information about contacts between Post-Roman Britain and late Roman Syria. Archaeology shows that a…Continue reading Syrians in Post-Roman Britain: an Interdisciplinary Survey