UDC 130.2:005.936.3 Yevheniia (Ievgeniia) Bilchenko National Pedagogical Dragomanov University, Kyiv.ORCID 0000-0001-9662-0594 DOI: https://doi.org/10.37627/2311-9489-19-2021-1.8-21 Keywords: Third, love, comedy, Real, dialogue, archetype, gap, excess. Abstract. The article analyzes the figure of the Third in the dialogue. The Third is interpreted through the prism of semiotics and comparative studies. Six models of the Third are used: positive ontological,…Continue reading Metaphysics and dialectics of the Third in the dialogue of cultures: axiological and psychoanalytic dimensions
UDC 130.2:005.936.3 Yevheniia Bilchenko National Pedagogical Dragomanov University, Kyiv.ORCID 0000-0001-9662-0594 Tetyana Kalyta National Pedagogical Dragomanov University, Kyiv.ORCID: 0000-0003-4723-0236 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.55-65 Keywords: semiotic analysis, episystem, structuralism, symbolic order, diachrony, synchrony. Abstract. The article offers the semiotic analysis of culturology as an episystem. Culturology is regarded not as a “pure” academic discipline, but as an integrative project…Continue reading Structure of the Modern Culturology: Semiotic Triad
UDC 130.2:005.936.3 Yevheniia Bilchenko National Pedagogical Dragomanov University, Kyiv.ORCID 0000-0001-9662-0594 DOI: https://doi.org/10.37627/2311-9489-17-2020-1.54-64 Keywords: transnationalism, basic conflict, paradox, legitimation, culturalism, globalism, multiculturalism, “open suture Abstract. The article deals with the critical analysis of the symptoms of the transnational world, which is interpreted as a symbolic order, prone to automatic self-reproduction and inertia of functioning in the…Continue reading Тhe Transnational Paradoxes of the Global World: Cultural Analysis
Abstract. The article deals with a comparative analysis of three key models of intercultural communication that have developed in the contemporary culturological discourse – dialogical, phenomenological, and critical ones. The first is identified as modern, the second is as postmodern, and the third is as neo-modern.