UDC 783.079:[008:39]-042(477.52) Yuriy Pakhomov Sumy State A. S. Makarenko Pedagogical University, Sumy. ORCID ID 0000-0003-3418-8737 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.163-170 Keywords: festival, festivals of Sumy region, wind orchestras, traditions, factors of development. Abstract. The article considers such kind of musical activity as festivals of wind music. As a result of research, the emergence and development of some orchestral festivals held…Continue reading Sumy region wind music festivals from the standpoint of cultural and artistic traditions of the region
Category: Vol 20 No 2 (2021)
The Culturology Ideas, Volume 20 No 2 (2021)
Globalization processes and formation of cultural space: historiographical aspect
Vasyl Sheiko Kharkiv State Academy of Culture, Kharkiv. ORCID ID 0000-0002-3532-7439 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.8-21 Keywords: culture, globalization, cultural space, civilization, comparative studies, processes of globalization transformations, modern civilizational community, historiography. Abstract. The paper highlights the urgent problems of the globalization processes of modern civilization and the formation of the cultural space. The analysis focuses on the…Continue reading Globalization processes and formation of cultural space: historiographical aspect
Vocal instrumentality as the ethno-cultural feature of V. Martyniuk’s composer style (the case of compositions for wind instruments)
UDC 78.071.1 Valerii Hromchenko Dnipropetrovsk M. Glinka Academy of Music, Dnipro. ORCID ID 0000-0002-2446-2192 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.99-106 Keywords: vocal, instrumentality, solo singing, composition, wind instruments, solo, V. Martyniuk. Abstract. The article discloses the instrumental language nature of Dnipro composer Valentina Martyniuk from the perspective of the ethno-cultural features for master’s author style. The investigation is being carried…Continue reading Vocal instrumentality as the ethno-cultural feature of V. Martyniuk’s composer style (the case of compositions for wind instruments)
The objective contents of an artistic text: from phenomenology towards mereology
Ihor Yudkin-Ripun Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID ID 0000-0002-4616-302X DOI: https://doi.org/10.37627/2311-9489-20-2021-2.22-34 Keywords: anaphora, reference, cue, detail, eidetic images, objects making, distance. Abstract. Textual semantics is studied on the basis of subjective – objective reciprocal feedback, where the objective field is reconstructed from the eidetic images with the inversion…Continue reading The objective contents of an artistic text: from phenomenology towards mereology
The latest approaches to piano interpretation in chamber and ensemble creativity of V. Silvestrov (the case of the “Drama” cycle for violin, cello and piano)
UDC 78.071.1:785.7.01:[780.614.331:780.614.334:780.616.432](092) Ievgeniia Golovan Sumy State A. S. Makarenko Pedagogical University, Sumy. ORCID ID 0000-0002-8112-8131 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.107-114 Keywords: avant-garde tendencies of the second half of the XXth century, chamber ensemble, prepared piano, V. Silvestrov’s works, performance techniques, instrumental theater. Abstract. The article overviews a set of issues related to the latest interpretation of the piano in the…Continue reading The latest approaches to piano interpretation in chamber and ensemble creativity of V. Silvestrov (the case of the “Drama” cycle for violin, cello and piano)
Organizational and economic processes of Ukrainian film production in the 1920s
Volodymyr Myslavskyi Kharkiv State Academy of Culture, Kharkiv. ORCID ID 0000-0003-0339-1820 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.143-152 Keywords: history of cinema, Ukrainian SSR, VUFKU, film industry. Abstract. The article examines the formation of the material and technical base of Ukrainian film production based on the wide range of little-known publications in the Ukrainian and Russian periodicals of the 1922-1930s.…Continue reading Organizational and economic processes of Ukrainian film production in the 1920s
Five preludes of Mykola Roslavets in the reflection of academic and avant-garde trends of his time
UDC: 780.616.432.08.071.1Рославець”19″ Pavlo Minhalov Sumy State A. S. Makarenko Pedagogical University, Sumy. ORCID ID 0000-0002-4916-4175 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.179-187 Keywords: piano music of the early XXth century, the work of M. Roslavets, piano miniature, performing techniques, style and genre. Abstract. The article considers a set of problems related to the study of piano art of the early XXth century and,…Continue reading Five preludes of Mykola Roslavets in the reflection of academic and avant-garde trends of his time
Sets of signs denoting the year on a Paleolithic artifact from the Baikal region and a towel from Podillya
UDC 130.2 Yevhen PrychepiiInstitute for Cultural Research, National Academy of Arts of Ukraine, Kyiv.ORCID ID 0000-0002-5363-1004 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.115-126 Keywords: sets of signs оn archeological artifacts and ornaments, “sacred” sets. Abstract. The offered concept states that primitive people operated “sacred” sets. The author considers them to be sets of signs on archaeological artifacts and folk ornaments…Continue reading Sets of signs denoting the year on a Paleolithic artifact from the Baikal region and a towel from Podillya