The latest approaches to piano interpretation in chamber and ensemble creativity of V. Silvestrov (the case of the “Drama” cycle for violin, cello and piano)

UDC 78.071.1:785.7.01:[780.614.331:780.614.334:780.616.432](092) Ievgeniia Golovan Sumy State A. S. Makarenko Pedagogical University, Sumy. ORCID ID 0000-0002-8112-8131 DOI: https://doi.org/10.37627/2311-9489-20-2021-2.107-114 Keywords: avant-garde tendencies of the second half of the XXth century, chamber ensemble, prepared piano, V. Silvestrov’s works, performance techniques, instrumental theater. Abstract. The article overviews a set of issues related to the latest interpretation of the piano in the…Continue reading The latest approaches to piano interpretation in chamber and ensemble creativity of V. Silvestrov (the case of the “Drama” cycle for violin, cello and piano)