Folklorism as the Phenomenon of Artistic Culture

UDC 316.722:398.1(477)

Svitlana Sadovenko
PhD in phylology, senior research fellow,
assistant professor in National Academy of
Managerial Staff of Culture and Arts, Kyiv

Abstract. The article carries out cultural analysis of the essence of the concept of folklorism as a phenomenon of artistic culture through the understanding of its historical paradigm, the general features of the main trends of development and influence on the processes of cultural creativity, determines the quality and properties of the phenomenon of typological forms.

It is shown that the definition of folklorism as secondary or derivative forms of culture is used in this sense only in relation to folklore. Secondary to folklore, folklorism is primary, unique, independent phenomenon of the importance of culture. It is proved that the topic under consideration is relevant, requires special attention to research and further research in the cultural thought.

Folklorism — the structural component of the Ukrainian folk art culture with its numerous manifestations. Folklorism as a creative way to mastering method and folklore has a historical background. Formed as a result of individual creativity, passing through centuries in each historical period synchronized with the needs and demands of time.

The main types of folklore were stored in different historical periods, but each time have their advantages chose attendant techniques, methods of work with folk material. The selection of these materials is dictated by the prevailing aesthetic norms and copyrights of individual creative installation.

At the beginning of the XXI century the general democratization processes in the Ukrainian society, associated with the presentiment of future social changes brought about by the tendency to popularize the musical art, an appeal to the folklore as a national carrier, national origin. In practice, the composer tended processing, restoration of folk songs, the so-called ethnographic type of folklore.

However, compositional experiments were based on folklore; they stated norms of modern thinking, expanded and imaginative style of Rubicon music. The above analysis of cultural awareness through historical paradigm of folklore, common features of the main trends of development and influence on the processes of cultural creativity shows that the folk roots of modern cultures live and possess immeasurable power potential for solving urgent problems of human existence in the XXI century.

New public relations “for the first time make it possible to look at the folklore, not as a vanishing form of collective art of the past, but as the real prototype of achieving a more holistic artistic consciousness”.

Keywords: folklorizm, folklore, Ukrainian folk art culture, a new folk wave, neofolklorism.

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