Antinomic Comprehension of God in Unity of Transcendent and Immanent Principles in the Leading Religious-Philosophical Systems and Art of the Second Half of the І Millennium ВС — the Beginning of a New Era

UDC 7.031 Yaroslava Bondarchuk National University “Ostrog Academy”, Ostroh, Rivne region, Ukraine. ORCID 0000-0002-6638-4399 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.132-146 Keywords: spiritual evolution, religious art, religious worldview systems of the end of the first millennium BC — beginning of AD, the antinomic nature of God. Abstract. The article aims to trace the antinomic comprehension of God in unity of…Continue reading Antinomic Comprehension of God in Unity of Transcendent and Immanent Principles in the Leading Religious-Philosophical Systems and Art of the Second Half of the І Millennium ВС — the Beginning of a New Era

Florentian Principles for Preparing a Doctor of Arts (PhD)

UDC 378.22:7}(477+73)“20” Oleksii Bezghin Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv. ORCID 0000-0002-0314-2157 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.147-155 Keywords: higher art education, doctor of arts, The Florence Principles, doctorate programs in the arts. Abstract. The article discusses the new provision about the degree of doctor of arts in the legislation pertaining on the third…Continue reading Florentian Principles for Preparing a Doctor of Arts (PhD)

Commodification as the Means of Cultural Production

UDC 321.911(477) Oleksandra Oliinyk Institute for Cultural Research, National Academy of Arts of Ukraine, Kyiv. ORCID 0000-0002-2392-3938 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.156-164 Keywords: cultural production, aesthetic value, commodification, functions of art. Abstract. The paper discloses the phenomenon of the commodification of cultural production in course of evolutionary transformation of technic, technologic and economic capacities of society. Economic issues,…Continue reading Commodification as the Means of Cultural Production

Features and Functions of the Public Holiday

UDC 008 (130.2) Tetiana HaievskaInstitute for Cultural Research, National Academy of Arts of Ukraine, Kyiv.ORCID 0000-0003-2916-4466 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.165-176 Keywords: holiday, ritual, ceremony, public holiday, discourse, symbol, narrative, public policy. Abstract. This paper defines the need to study public holidays not only as elements of tradition and cultural memory, but also as one of the most…Continue reading Features and Functions of the Public Holiday

Genealogy of Stories: Constraction of the Subject by Vanishing Images

UDC 316.77+004.738.5]:159.97 Mariia Ternovska National University of Kyiv-Mohyla Academy, Kyiv. ORCID 0000-0002-1066-2396 DOI: https://doi.org/10.37627/2311-9489-18-2020-2.177-184 Keywords: Stories, Snapchat, depression, pandemic, the mirror stage, sensor technology, social media. Abstract. The article offers an essay on the genealogy of stories’ phenomenon from the self-eliminating pictures of private correspondence on Snapchat to “classic” public stories on Facebook and Instagram.…Continue reading Genealogy of Stories: Constraction of the Subject by Vanishing Images

The System of Sacred Images of Ukrainian Culture. Svitlana Olianina. Ukrainian Iconostasis: Symbolism and Iconology. Kyiv: Artek 5, 2019. 400 p.

UDC 7.038.531:7.075 Ihor Yudkin Institute for Cultural Research, National Academy of Arts of Ukraine, KyivORCID 0000-0002-4616-302X DOI: https://doi.org/10.37627/2311-9489-18-2020-2.185-187 Author Biography. Ihor Yudkin, Doctor of art studies, Corresponding Member of the National Academy of Arts of Ukraine, leading researcher, Institute for Cultural Research of the National Academy of Arts of Ukraine, Kyiv.dr.iyudkin@gmail.com PDF (Ukrainian) Published: August…Continue reading The System of Sacred Images of Ukrainian Culture. Svitlana Olianina. Ukrainian Iconostasis: Symbolism and Iconology. Kyiv: Artek 5, 2019. 400 p.