Abstract. This paper aims to substantiate the hypothesis that the design of the architectural and decorative organization of iconostases of the second half of the seventeenth — first half of the eighteenth centuries is based on the symbolic concept of the iconostasis as an image of a paradise garden.
Author: Svitlana Olianina
Svitlana Olianina,
Ph.D. in Architecture,
Publishing and Printing Institute, National Technical
University of Ukraine «Kyiv Polytechnic Institute», Kyiv