UDC 792.034(477) Ihor Matiushyn Mariupol State University, Mariupol.ORCID ID 0009-0008-2254-3045 DOI: https://doi.org/10.37627/2311-9489-28-2025-2.113-123 Keywords: Baroque, stage culture, adaptation, actualization. Abstract. This article examines the genesis and stage evolution of Yakub Havatovych’s interlude within the context of the formation of Ukrainian national theatrical culture. Special attention is given to the textological analysis of the work and to…Continue reading “Dual world” phenomenon and the theatrical fate of Yakub Havatovych’s interlude “Klymko and Stetsko”